Terrence McNally - Writing Credits

Writing Credits

Plays:

  • And Things That Go Bump in the Night (1964)
  • Botticelli (1968)
  • Sweet Eros (1968)
  • Witness (1968)
  • ¡Cuba Si! (1968)
  • Bringing It All Back Home (1969)
  • Noon (1968), second segment of Morning, Noon and Night
  • Next (1969)
  • Where Has Tommy Flowers Gone? (1971)
  • Bad Habits (1974)
  • The Ritz (1975)
  • Whiskey (1973)
  • The Tubs (1974)
  • Frankie and Johnny in the Clair de Lune (1982)
  • It's Only a Play (1986)
  • Andre's Mother (1988)
  • Hope (1988), second segment of Faith, Hope and Charity
  • The Lisbon Traviata (1989)
  • Prelude and Liebestod (1989)
  • Lips Together, Teeth Apart (1991)
  • A Perfect Ganesh (1993)
  • Hidden Agendas (1994)
  • Love! Valour! Compassion! (1994)
  • By The Sea, By The Sea, By The Beautiful Sea (1995)
  • Master Class (1995)
  • Corpus Christi (1998)
  • The Stendhal Syndrome (2004)
  • Dedication or The Stuff of Dreams (2005)
  • Some Men (2006)
  • Deuce (2007)
  • Unusual Acts of Devotion (2008)
  • Golden Age (2009)

Musical Theatre:

  • Here's Where I Belong (1968)
  • The Rink (1984)
  • Urban Blight (1988), co-writer
  • Kiss of the Spider Woman (1992)
  • Ragtime (1996)
  • The Full Monty (2000)
  • The Visit (2001)
  • A Man of No Importance (2002)
  • Chita Rivera: The Dancer's Life (2005)
  • Ganesha, A Perfect God (2010)
  • Catch Me If You Can (2011)

Opera:

  • The Food of Love (1999), music by Robert Beaser
  • Dead Man Walking (2000), music by Jake Heggie
  • Three Decembers (Last Acts) (2008), music by Jake Heggie.

Film:

  • The Ritz (1976)
  • Frankie and Johnny (1991)
  • Love! Valour! Compassion! (1997)

TV:

  • Andre's Mother (1990)
  • The Last Mile (1992)
  • Common Ground (2000)

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Famous quotes containing the word writing:

    When, said Mr. Phillips, he communicated to a New Bedford audience, the other day, his purpose of writing his life, and telling his name, and the name of his master, and the place he ran from, the murmur ran round the room, and was anxiously whispered by the sons of the Pilgrims, “He had better not!” and it was echoed under the shadow of the Concord monument, “He had better not!”
    Henry David Thoreau (1817–1862)