Return
Twenty years after first playing the role, Neeley gained renewed success in the lead role of Jesus in the 1990s touring company of Jesus Christ Superstar (which once again co-starred Carl Anderson as Judas, and also at various points co-starred Stevie Wonder's former wife Syreeta and Irene Cara of Fame as Mary, and Dennis DeYoung of Styx as Pilate). This modernized version of the original production included a day-glo temple scene, and a glass crucifixion cross that elevated above the stage and was lit from within. Originally planned as a three month tour to celebrate the 20th anniversary of the motion picture, the "A.D. Tour" went on to become the longest running revival in North American theater history. From 1992 to 1997, the hugely successful tour criss-crossed the nation multiple times, allowing Neeley the opportunity to reprise his role over 1,700 times.
In 1999, Neeley reunited with Michael Rapp for a new project, a rock musical entitled Rasputin, a story about the fall of the Romanov dynasty as seen through the eyes of Alexei, heir to the throne and friend to the "mad monk" (a role played by Neeley). In addition to playing the title role, he produced a one-night showcase production (in 1999) and concept album (released in 2002) of the show. He followed this up in 2000 by performing the role of Willie Moore in the world premiere of Murder in the First, presented by the Rubicon Theatre Company of California, with whom Neeley maintains a close association. That same year he served as the sound consultant for their production of the Harry Chapin revue Lies and Legends. In 2004, Neeley worked with RTC once again, appearing as Lucky in the Rubicon Theatre Company's production of Waiting for Godot, which was the centerpiece of their BeckettFest.
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Famous quotes containing the word return:
“It is the secret of the world that all things subsist and do not die, but only retire from sight and afterwards return again.”
—Ralph Waldo Emerson (18031882)
“Each work of art excludes the world, concentrates attention on itself. For the time it is the only thing worth doingto do just that; be it a sonnet, a statue, a landscape, an outline head of Caesar, or an oration. Presently we return to the sight of another that globes itself into a whole as did the first, for example, a beautiful garden; and nothing seems worth doing in life but laying out a garden.”
—Ralph Waldo Emerson (18031882)
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (18581924)