Syracuse Symphony Orchestra - History

History

It was founded in 1961 as a community orchestra by a grant from the Gifford Foundation. Its first Music Director was Karl Kritz, assisted by Benson Snyder and Carolyn Hopkins. In its first season it performed four subscription concerts at the Lincoln High School and eight young people's concerts plus one pops concert.

By the end of its third season, permanent chamber groups had been formed - a string quartet, a woodwind quintet, a brass quintet and a percussion ensemble.

Assisted by a Ford Foundation Challenge Grant, their budget grew, and recordings were regularly being broadcast on WONO-FM. A new location was found for their regular concerts - the Henninger High School, and regional concerts in Watertown, Rome and Cortland followed.

In 1975, the orchestra moved into its last home, the Crouse-Hinds Theater in the John H. Mulroy Civic Center Theaters at Oncenter.

Read more about this topic:  Syracuse Symphony Orchestra

Famous quotes containing the word history:

    If man is reduced to being nothing but a character in history, he has no other choice but to subside into the sound and fury of a completely irrational history or to endow history with the form of human reason.
    Albert Camus (1913–1960)

    [Men say:] “Don’t you know that we are your natural protectors?” But what is a woman afraid of on a lonely road after dark? The bears and wolves are all gone; there is nothing to be afraid of now but our natural protectors.
    Frances A. Griffin, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 19, by Susan B. Anthony and Ida Husted Harper (1902)

    Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
    Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)