In History, Religion, and Culture
In any human endeavor for which an impressive visual result is part of the desired objective, symmetries play a profound role. The innate appeal of symmetry can be found in our reactions to happening across highly symmetrical natural objects, such as precisely formed crystals or beautifully spiraled seashells. Our first reaction in finding such an object often is to wonder whether we have found an object created by a fellow human, followed quickly by surprise that the symmetries that caught our attention are derived from nature itself. In both reactions we give away our inclination to view symmetries both as beautiful and, in some fashion, informative of the world around us.
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Famous quotes containing the word culture:
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)