Sylvia Townsend Warner - Work

Work

Early in her career she researched 15th and 16th century music, and spent ten years as one of the editors of the substantial Tudor Church Music, published by Oxford University Press. In 1934 she published a joint collection of poems with Valentine Ackland entitled Whether a Dove or a Seagull.

Her novels were Lolly Willowes (1926), Mr Fortune's Maggot (1927), The True Heart (1929), Summer Will Show (1936), After the Death of Don Juan (1938), The Corner That Held Them (1948), The Flint Anchor (1954). Recurring themes are evident in a number of her works. These include a rejection of Christianity (in Mr Fortune's Maggot, and in Lolly Willowes, where the protagonist becomes a witch); the position of women in patriarchal societies (Lolly Willowes, Summer Will Show, The Corner that Held Them); ambiguous sexuality, or bisexuality (Lolly Willowes, Mr Fortune's Maggot, Summer Will Show); and lyrical descriptions of landscape.

Her short stories include the collections A Moral Ending and Other Stories, The Salutation, More Joy in Heaven, The Cat's Cradle Book, A Garland of Straw, The Museum of Cheats. Winter in the Air, A Spirit Rises, A Stranger with a Bag, The Innocent and the Guilty, and One Thing Leading to Another. Her final work was a series of linked short stories set in the supernatural Kingdoms of Elfin.

In addition to fiction, Warner published a biography of the novelist T.H. White, which The New York Times declared "a small masterpiece which may well be read long after the writings of its subject have been forgotten." Although Townsend never wrote an autobiography, Scenes of Childhood was compiled after her death from short reminiscences published over the years in the New Yorker. She also translated Contre Saint-Beuve by Marcel Proust from the original French into English.

In the 1970s, she became known as a significant writer of feminist or lesbian sentiment, and her novels were among the earlier ones to be revived by Virago Press. Selected letters of Warner and Valentine Ackland have been published twice: Wendy Mulford edited a collection titled This Narrow Place in 1988, and ten years later Susanna Pinney published another selection under the title Jealousy in Connecticut.

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Famous quotes containing the word work:

    Mildred Pierce: You look down on me because I work for a living, don’t you? You always have. All right, I work. I cook food and sell it and make a profit on it, which, I might point out, you’re not too proud to share with me.
    Monte Beragon: Yes, I take money from you, Mildred. But not enough to make me like kitchens or cooks. They smell of grease.
    Mildred Pierce: I don’t notice you shrinking away from a fifty- dollar bill because it smells of grease.
    Ranald MacDougall (1915–1973)

    Most of our platitudes notwithstanding, self-deception remains the most difficult deception. The tricks that work on others count for nothing in that very well-lit back alley where one keeps assignations with oneself: no winning smiles will do here, no prettily drawn lists of good intentions.
    Joan Didion (b. 1934)

    Whether outside work is done by choice or not, whether women seek their identity through work, whether women are searching for pleasure or survival through work, the integration of motherhood and the world of work is a source of ambivalence, struggle, and conflict for the great majority of women.
    Sara Lawrence Lightfoot (20th century)