Contemporary Reviews
- American Dancer, November 1936: "Astaire's dancing can no longer be classified as mere tap, because it is such a perfect blend of tap, modern and ballet, with a generous share of Astaire's personality and good humor...Rogers is vastly improved...but she cannot, as yet, vie with Astaire's amazing agility, superb grace and sophisticated charm. With Astaire one feels, with each succeeding picture, that surely his dancing has reached perfection and marks the end of invention of new steps: and yet he seems to go forward with ease and apparent nonchalence."
- Dance Magazine, November 1936, Joseph Arnold Kaye: "Much has been written about Fred Astaire and Ginger Rogers in Swing Time except, perhaps, one thing: Astaire and Rogers are the picture; everything else seems to have been put in to fill the time between swings. Dance routines are fresh and interesting, dance is superb. When Hollywood will learn to make a dance picture as good as the dancing, we cannot even guess."
- Variety, 2 September 1936, Abel: "Perhaps a shade under previous par, but it's another box-office and personal winner from the Fred Astaire-Ginger Rogers combo...Film's 103 minutes running time could have been pared to advantage but Swing Time will swing 'em past the wickets in above-average tempo."
Read more about this topic: Swing Time
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