Medieval and Modern Reception
Both the Sushruta and the Charaka Samhita were translated into Arabic language during in the 8th century. The translator of the Sushruta Samhita was one Ibn Abillsaibial. The work was known as Kitab Shah Shun al-Hindi in Arabic, or alternatively as Kitab i-Susurud. The 9th-century Persian physician Rhazes was familiar with the text.
In India, a major commentary on the text, known as Nibandha-samgraha, was written by Dalhana in ca. 1200 CE.
The Arabic translation was received in Europe by the end of the medieval period. In Renaissance Italy, the Branca family of Sicily and Gasparo Tagliacozzi (Bologna) became familiar with the techniques mentioned in the Sushruta Samhita.
The editio princeps of the text was prepared by Madhusudan Datta (Calcutta 1835). A partial English translation by U. C. Datta appeared in 1883. English translations of the full text were published by A. M. Kunte (Bombay 1876) and Kunja-lal Bhishagratna (1907-1911; reprinted 1963, 2006). An English translation of both the Sushruta Samhita and Dalhana's commentary was published in three volumes by P. V. Sharma in 1999.
Read more about this topic: Sushruta Samhita
Famous quotes containing the words medieval, modern and/or reception:
“Our medieval historians who prefer to rely as much as possible on official documents because the chronicles are unreliable, fall thereby into an occasionally dangerous error. The documents tell us little about the difference in tone which separates us from those times; they let us forget the fervent pathos of medieval life.”
—Johan Huizinga (1872–1945)
“My idea is that the world outside—the so-called modern world—can only pervert and degrade the conceptions of the primitive instinct of art and feeling, and that our only chance is to accept the limited number of survivors—the one- in-a-thousand of born artists and poets—and to intensify the energy of feeling within that radiant centre.”
—Henry Brooks Adams (1838–1918)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)