Influence
In 1985, DC Comics named Fleischer Studios as one of the honorees in the company's 50th anniversary publication Fifty Who Made DC Great for its work on the Superman cartoons. Writer/artist Frank Miller cited the influence of Max and Dave Fleischer, including them among a list of prominent Golden Age comics creators whose work he acknowledged at the end of his 1986 comics series, Batman: The Dark Knight Returns. The series strongly influenced the creation of the acclaimed animated television series Batman: The Animated Series, as well as the similar-looking Superman: The Animated Series. Award-winning comic book artist Alex Ross has also listed the shorts among the inspiration for his take on Superman's look.
The robot robbery scene from "The Mechanical Monsters" short has been echoed by several later works. In 1980, Japanese animation director Hayao Miyazaki, created an identical robbery with a similarly functioning robot in the last episode of the second Lupin III TV series, a robot design he used again in his feature film, Castle in the Sky. The elements of the scene were borrowed again in 1994 for The Tick (animated TV series), specifically, The Tick vs. Brainchild (season one, episode 9), this time with the robbery committed by Skippy, a cyborg dog. The 2004 feature length movie Sky Captain and the World of Tomorrow (which Paramount released in several territories, WB also distributed in a few countries) kept the setting in the 1940s, but scaled up the scene from a single robot robbing a jewelry exhibition to an army of gigantic robots stealing city infrastructure. The movie gave a nod to its source following the robbery with the newspaper headline, "Mechanical Monsters Unearth Generators."
A 1988 music video for the song "Spy In The House of Love" by Chrysalis Records recording artists Was (Not Was) borrowed footage extensively from Famous' Secret Agent episode.
Read more about this topic: Superman (1940s cartoons)
Famous quotes containing the word influence:
“A bestial and violent man will go so far as to kill because he is under the influence of drink, exasperated, or driven by rage and alcohol. He is paltry. He does not know the pleasure of killing, the charity of bestowing death like a caress, of linking it with the play of the noble wild beasts: every cat, every tiger, embraces its prey and licks it even while it destroys it.”
—Colette [Sidonie Gabrielle Colette] (1873–1954)
“This declared indifference, but as I must think, covert real zeal for the spread of slavery, I can not but hate. I hate it because of the monstrous injustice of slavery itself. I hate it because it deprives our republican example of its just influence in the world ... and especially because it forces so many really good men amongst ourselves into an open war with the very fundamental principles of civil liberty.”
—Abraham Lincoln (1809–1865)
“For character too is a process and an unfolding ... among our valued friends is there not someone or other who is a little too self confident and disdainful; whose distinguished mind is a little spotted with commonness; who is a little pinched here and protruberent there with native prejudices; or whose better energies are liable to lapse down the wrong channel under the influence of transient solicitations?”
—George Eliot [Mary Ann (or Marian)