Writing
His first collection, Stances et Poèmes ("Stanzas and Poems", 1865), was praised by Sainte-Beuve. It included his most famous poem, Le vase brisé. He published more poetry before the outbreak of the Franco-Prussian War. This war, which he discussed in Impressions de la guerre (1872) and La France (1874), permanently damaged his health.
During his career, Prudhomme gradually shifted from the sentimental style of his first books towards a more personal style which unified the formality of the Parnassian school with his interest in philosophical and scientific subjects. The inspiration was clearly Lucretius's De rerum natura, for the first book of which he made a verse translation. His philosophy was expressed in La Justice (1878) and Le Bonheur (1888). The extreme economy of means employed in these poems has, however, usually been judged as compromising their poetical quality without advancing their claims as works of philosophy. He was elected to the Académie française in 1881. Another distinction, Chevalier de la Légion d’honneur, was to follow in 1895.
After, Le Bonheur, Prudhomme turned from poetry to write essays on aesthetics and philosophy. He published two important essays: L'Expression dans les beaux-arts (1884) and Réflexions sur l'art des vers (1892), a series of articles on Blaise Pascal in La Revue des Deux Mondes (1890), and an article on free will (La Psychologie du Libre-Arbitre, 1906) in the Revue de métaphysique et de morale.
Read more about this topic: Sully Prudhomme
Famous quotes containing the word writing:
“In our period, they say there is free speech.
They say there is no penalty for poets,
There is no penalty for writing poems.
They say this. This is the penalty.”
—Muriel Rukeyser (1913–1980)
“... in writing you cannot possibly be interesting if what you say is not true, if it is what I call “a true lie,” i.e., a truth which gives the wrong impression. For no matter how subtly you lie in writing, people know it and don’t believe you, and the whole secret of being interesting is to be believed.”
—Brenda Ueland (1891–1985)
“The big toad sits in my writing room
preventing me from writing. I am a flower
who dries out under her hot breath.”
—Anne Sexton (1928–1974)