Culture
The religious practices, social customs and cultural standards of the Americo-Liberians had their roots in the antebellum American South. The settlers wore top hat and tails and modeled their homes on those of Southern slaveowners. Most Americo-Liberian men were members of the Masonic Order of Liberia, which became heavily involved in the nation's politics.
Liberia has a long, rich history in textile arts and quilting, as the settlers brought with them their sewing and quilting skills. Liberia hosted National Fairs in 1857 and 1858 in which prizes were awarded for various needle arts. One of the most well-known Liberian quilters was Martha Ann Ricks, who presented a quilt featuring the famed Liberian coffee tree to Queen Victoria in 1892. When President Ellen Johnson Sirleaf moved into the Executive Mansion, she reportedly had a Liberian-made quilt installed in her presidential office.
A rich literary tradition has existed in Liberia for over a century. Edward Wilmot Blyden, Bai T. Moore, Roland T. Dempster and Wilton G. S. Sankawulo are among Liberia's more prominent authors. Moore's novella Murder in the Cassava Patch is considered Liberia's most celebrated novel.
Liberian cuisine heavily incorporates rice, the country's staple food. Other ingredients include cassava, fish, bananas, citrus fruit, plantains, coconut, okra and sweet potatoes. Heavy stews spiced with habanero and scotch bonnet chillies are popular and eaten with fufu. Liberia also has a tradition of baking imported from the United States that is unique in West Africa.
Read more about this topic: Subdivisions Of Liberia
Famous quotes containing the word culture:
“Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.”
—Johan Huizinga (1872–1945)
“Our culture has become something that is completely and utterly in love with its parent. It’s become a notion of boredom that is bought and sold, where nothing will happen except that people will become more and more terrified of tomorrow, because the new continues to look old, and the old will always look cute.”
—Malcolm McLaren (b. 1946)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)