In mathematical morphology, a structuring element (s.e.) is a shape, used to probe or interact with a given image, with the purpose of drawing conclusions on how this shape fits or misses the shapes in the image. It is typically used in morphological operations, such as dilation, erosion, opening, and closing, as well as the hit-or-miss transform.
According to Georges Matheron, knowledge about an object (e.g., an image) depends on the manner in which we probe (observe) it. In particular, the choice of a certain s.e. for a particular morphological operation influences the information one can obtain. There are two main characteristics that are directly related to s.e.s:
- Shape. For example, the s.e. can be a "ball" or a line; convex or a ring, etc. By choosing a particular s.e., one sets a way of differentiating some objects (or parts of objects) from others, according to their shape or spatial orientation.
- Size. For example, one s.e. can be a square or a square. Setting the size of the structuring element is similar to setting the observation scale, and setting the criterion to differentiate image objects or features according to size.
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Famous quotes containing the word element:
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)