Structure and Function of A Stomp Dance Society
The Stomp Dance is a ceremony that contains both religious and social meaning. To the Muscogee Creeks, Cherokees, and other Southeastern Indians the Stomp Dance is affiliated with the Green Corn Ceremony.
The term "Stomp Dance" is an English term, which refers to the "shuffle and stomp" movements of the dance. In the native Muskogee language the dance is called Opvnkv Haco, which can mean "drunken," "crazy," or "inspirited" dance. This usually refers to the exciting, yet meditative effect the dance and the medicine have on the participants. In the native Shawnee language, the dance is called Nikanikawe which refers to a dance involving friends or nikane. It is also called the Leading Dance by many Shawnees, but most simply call it the "Stomp Dance."
Among Muscogee Creeks and Four Mothers Society members, the Stomp Dance Grounds contain an elevated square platform with the flat edges of the square facing the cardinal directions. Arbors are constructed upon the flat edges of the square in which the men sit facing one of the four directions. This is formally referred to as the Square Ground, which is encircled by a ring-mound of earth. In the center of this is the ceremonial fire, which is referred to by many names including "Mother" fire. Ceremonially, this fire is the focus of the songs and prayers of the people and is considered to be a living sacred being.
Outside of the circle of earth, surrounding the Square Ground are the community's clan-houses. These houses are casually referred to as 'camps' and depending on the traditional level and financial situation of the community may be relatively nice cottages, shanties or in between. Prior to the dance dinner is prepared in these family camps. Throughout the night guests that arrive are welcomed to help eat up the leftovers. The foods eaten at Stomp Dances are typical southern delicacies such as corn bread, mashed potatoes as well as certain specialized Indian dishes such as sofkee, dumplings, hominy, frybread, and numerous traditional dishes.
Kituwah stomp dance grounds are encircled by seven clan arbors. These are influenced by the traditionalist revival among Cherokees during the late 19th century, inspired by Redbird Smith. In 1907, 22 ceremonial grounds were active on Cherokee lands in Oklahoma.
Stickball games are often played at stomp dance grounds. Yuchi stomp dances are held in conjunction with their ritual football games. Especially in Oklahoma, different tribes will participate in each other's dances.
Read more about this topic: Stomp Dance
Famous quotes containing the words structure and, structure, function, dance and/or society:
“One theme links together these new proposals for family policy—the idea that the family is exceedingly durable. Changes in structure and function and individual roles are not to be confused with the collapse of the family. Families remain more important in the lives of children than other institutions. Family ties are stronger and more vital than many of us imagine in the perennial atmosphere of crisis surrounding the subject.”
—Joseph Featherstone (20th century)
“Science is intimately integrated with the whole social structure and cultural tradition. They mutually support one other—only in certain types of society can science flourish, and conversely without a continuous and healthy development and application of science such a society cannot function properly.”
—Talcott Parsons (1902–1979)
“Science has fulfilled her function when she has ascertained and enunciated truth.”
—Thomas Henry Huxley (1825–95)
“When I play on my fiddle in Dooney,
Folk dance like a wave of the sea....”
—William Butler Yeats (1865–1939)
“I have never yet spoken from a public platform about women in industry that someone has not said, “But things are far better than they used to be.” I confess to impatience with persons who are satisfied with a dangerously slow tempo of progress for half of society in an age which requires a much faster tempo than in the days that “used to be.” Let us use what might be instead of what has been as our yardstick!”
—Mary Barnett Gilson (1877–?)