Life and Work
Home's mother, Julia Callan-Thompson, was a model and hostess who was associated with the radical arts scene in Notting Hill Gate. She knew such people as the writer and Situationist Alexander Trocchi. Home was put up for adoption soon after his birth.
In the 1980s and 1990s, he exhibited art and also wrote a number of non-fiction pamphlets, magazines, and books, and edited anthologies.
They chiefly reflected the politics of the radical left, punk culture, the occult, the history and influence of the Situationists – of whom he is a severe critic – and other radical left-wing 20th century anti-art avant-garde movements. In Home's earlier work, the focux of these reflections was often Neoism, a subcultural network of which he had been a member, and from which he derived various splinter projects. Typical characteristics of his activism in the 1980s and 1990s included use of group identities (such as Monty Cantsin) and collective monikers (e.g. "Karen Eliot"); overt employment of plagiarism; pranks and publicity stunts.
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