First known reference to art strike is in Alain Jouffroy's essay "What's To Be Done About Art?" (included in "Art and Confrontation," New York Graphic Society 1968):
"It is essential that the minority advocate the necessity of going on an 'active art strike' using the machines of the culture industry to set it in total contradiction to itself. The intention is not to end the rule of production, but to change the most adventurous part of 'artistic' production into the production of revolutionary ideas, forms and techniques."
- May 22, 1970 - New York Art Strike against War, Repression, Racism and Sexism by Art Workers Coalition
- 1977-1980 - Gustav Metzger's call for artists to withdraw their labour for a minimum of 3 years. "Art Into Society/Society Into Art" (ICA, London 1974)
- Art Strike 1990-1993 Campaign launched in 1986 by Stewart Home which called upon all artists to cease their artistic work between January 1, 1990 and January 1, 1993
- Art Strike Biennial in Alytus from August 18-24th, 2009 was called by Redas Diržys and the Second Temporary Art Strike Action Committee – Alytus Chapter (STASAC-Alytus) in response to Vilnius becoming European Capital of Culture for 2009.
- Spart Strike 2009 - 2012 following the Art Strike Biennial.
Famous quotes containing the words art and/or strike:
“All things are artificial, for nature is the art of God.”
—Thomas Browne (1605–1682)
“When we walk the streets at night in safety, it does not strike us that this might be otherwise. This habit of feeling safe has become second nature, and we do not reflect on just how this is due solely to the working of special institutions. Commonplace thinking often has the impression that force holds the state together, but in fact its only bond is the fundamental sense of order which everybody possesses.”
—Georg Wilhelm Friedrich Hegel (1770–1831)