Story
The story tells about Hiroshi Shiba, a car racer who is mortally wounded on a laboratory accident, but restored to life by his father, Professor Shiba, a talented scientist/archeologist, who is incidentally investigating the relics of the ancient Yamatai Kingdom. The professor discovers a tiny bronze bell with sorcerous powers, and shortly afterwards he is murdered by the henchmen of Queen Himika, the ruler of the Yamatai (sometimes translated as Jamatai) Kingdom, who wants to seize the ancient bell and its power.
Hiroshi learns about his father's death, and his legacy: after the accident, Hiroshi was turned by his father into a cyborg, the bronze bell hidden in his own chest, able to transform into the head of a giant robot, the Steel Jeeg, created by Prof. Shiba with the purpose of stopping the Yamatai invasion of modern Japan. Jeeg is also assisted by a robot horse known as Panzeroid. The minions of Queen Himika have huge haniwa phantoms buried thousands of years under Japan's soil, and only Jeeg can destroy them and save the world. Therefore, Hiroshi must roughly try to live his double life as his career as a racer who takes care of his mother and sister and a hero who fight to save the world.
Read more about this topic: Steel Jeeg
Famous quotes containing the word story:
“Television programming for children need not be saccharine or insipid in order to give to violence its proper balance in the scheme of things.... But as an endless diet for the sake of excitement and sensation in stories whose plots are vehicles for killing and torture and little more, it is not healthy for young children. Unfamiliar as yet with the full story of human response, they are being misled when they are offered perversion before they have fully learned what is sound.”
—Dorothy H. Cohen (20th century)
“Its idea of “production value” is spending a million dollars dressing up a story that any good writer would throw away. Its vision of the rewarding movie is a vehicle for some glamour-puss with two expressions and eighteen changes of costume, or for some male idol of the muddled millions with a permanent hangover, six worn-out acting tricks, the build of a lifeguard, and the mentality of a chicken-strangler.”
—Raymond Chandler (1888–1959)
“When a book, any sort of book, reaches a certain intensity of artistic performance it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball.”
—Raymond Chandler (1888–1959)