Star Polygons in Art and Culture
Star polygons feature prominently in art and culture. Such polygons may or may not be regular but they are always highly symmetrical. Examples include:
- The {5/2} star pentagon is also known as a pentagram, pentalpha or pentangle, and historically has been considered by many magical and religious cults to have occult significance.
- The simplest non-degenerate complex star polygon which is two {6/2} polygons (i.e., triangles), the hexagram (Star of David, Seal of Solomon).
- The {7/3} and {7/2} star polygons which are known as heptagrams and also have occult significance, particularly in the Kabbalah and in Wicca.
- The complex {8/2} star polygon (i.e. two squares), which is known as the Star of Lakshmi and figures in Hinduism;
- The {8/3} star polygon (octagram), and the complex star polygon of two {16/6} polygons, which are frequent geometrical motifs in Mughal Islamic art and architecture; the first is on the coat of arms of Azerbaijan.
- An eleven pointed star called the hendecagram, which apparently was used on the tomb of Shah Nemat Ollah Vali.
Some symbols based on a star polygon have interlacing, by small gaps, and/or, in the case of a star figure, using different colors.
Read more about this topic: Star Polygon
Famous quotes containing the words star, art and/or culture:
“I would that we were, my beloved, white birds on the foam of the sea!
We tire of the flame of the meteor, before it can fade and flee;
And the flame of the blue star of twilight, hung low on the rim of the sky,
Has awaked in our hearts, my beloved, a sadness that may not die.”
—William Butler Yeats (1865–1939)
“For I have sworn thee fair, and thought thee bright,
Who art as black as hell, as dark as night.”
—William Shakespeare (1564–1616)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)