Works
- Gold Drain (1967, Heinemann) ISBN B0000CNKG6
- Panther Jones for President (1968, Heinemann) ISBN 0-434-37701-5
- Life without Birth: A Journey Through the Third World in Search of the Population Explosion (1970, Heinemann) ISBN 0-434-37702-3
- The Green Revolution (1972, Hamilton) ISBN 0-241-02102-2
- The Population Problem (1973, David & C) ISBN 0-7153-6282-8
- The Politics of Environment (1973, T Stacey) ISBN 0-85468-298-8
- The Urbane Guerilla (1975, Macmillan) ISBN 0-333-17679-0
- Pollution Control Policy of the EEC (1978, Graham & Trotman) ISBN 0-86010-136-3
- The Doomsday Deposit (1979, EP Dutton) ISBN 0-525-09468-7
- The Marburg Virus (1982, Heinemann) ISBN 0-434-37704-X
- Tunnel (1984, Heinemann) ISBN 0-434-37705-8
- Antarctica: The Last Great Wilderness (1985, Weidenfeld & N) ISBN 0-297-78676-8
- The Commissioner (1987, Century) ISBN 0-7126-1587-3
- Dragon River (1989, Frederick Muller) ISBN 0-09-173526-2
- The Earth Summit: The United Nations Conference on Environment and Development (UNCED) (1993, Kluwer Law International) ISBN 978-1-85333-784-0
- World Population - Turning the Tide (1994, Kluwer Law International) ISBN 1-85966-046-0
- The Environmental Policy of the European Communities (1995, Kluwer Law International) ISBN 90-411-0862-9
- The Politics of Population: Cairo, 1994 (1995, Earthscan) ISBN 1-85383-297-9
- Icecap (1999, Cameron May) ISBN 1-874698-67-8
- Stanley I Presume (2009, Fourth Estate Ltd) ISBN 0-00-729672-X
- Survival: Saving Endangered Migratory Species (2010, Stacey International) ISBN 1-906768-11-0
Read more about this topic: Stanley Johnson (writer)
Famous quotes containing the word works:
“Great works constructed there in natures spite
For scholars and for poets after us,
Thoughts long knitted into a single thought,
A dance-like glory that those walls begot.”
—William Butler Yeats (18651939)
“It is the art of mankind to polish the world, and every one who works is scrubbing in some part.”
—Henry David Thoreau (18171862)
“Was it an intellectual consequence of this rebirth, of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (18751955)