Themes
Murakami explores familiar themes such as the effects of prolonged loneliness, growing up emotionally stunted in an overwhelmingly conformist society, and the conflict between following one's dreams and clamping down on them in order to assimilate into society.
While Sumire is an emotional and spontaneous individual who often appears to be a misfit in society, "K", the narrator, is a person who has through sheer force of will moulded himself into another person, one who integrates seamlessly into the wider society and culture around him, and the transition leaves him emotionally stunted and unable to express his feelings. When Sumire is also, through her interaction with Miu, forcibly shaped into a person other than she is, the transformation is neither permanent nor successful.
The book's major themes include loneliness and people's inability to truly know themselves or the people they love. This is symbolized by the recurring metaphor of the Sputnik satellites orbiting at a distance from the earth. As in The Wind-Up Bird Chronicle and Dance Dance Dance, Murakami uses (or rather, suggests) alternate worlds as a plot device. "K", the narrator, is a markedly different protagonist from those of Murakami's other novels. He is considerably less given to or adept at wisecracks, maintains a respectable and stable profession as a schoolteacher, and is less self-confident and much more introverted and conflicted than any other Murakami protagonist.
Many elements of the plot remain deliberately unresolved, contributing to the idea that true knowledge is elusive, and actual events of the story are obscured in favour of the characters' perceptions.
The book ends with the theme of The Telephone, which appears in numerous books by Murakami, usually when telephoning from a far-away place, whose location is unclear.
Read more about this topic: Sputnik Sweetheart
Famous quotes containing the word themes:
“I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.”
—Henry David Thoreau (18171862)
“In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shiite fundamentalists.”
—Barbara Ehrenreich (b. 1941)