Spectrum of A Ring - Motivation From Algebraic Geometry

Motivation From Algebraic Geometry

Following on from the example, in algebraic geometry one studies algebraic sets, i.e. subsets of Kn (where K is an algebraically closed field) which are defined as the common zeros of a set of polynomials in n variables. If A is such an algebraic set, one considers the commutative ring R of all polynomial functions AK. The maximal ideals of R correspond to the points of A (because K is algebraically closed), and the prime ideals of R correspond to the subvarieties of A (an algebraic set is called irreducible or a variety if it cannot be written as the union of two proper algebraic subsets).

The spectrum of R therefore consists of the points of A together with elements for all subvarieties of A. The points of A are closed in the spectrum, while the elements corresponding to subvarieties have a closure consisting of all their points and subvarieties. If one only considers the points of A, i.e. the maximal ideals in R, then the Zariski topology defined above coincides with the Zariski topology defined on algebraic sets (which has precisely the algebraic subsets as closed sets).

One can thus view the topological space Spec(R) as an "enrichment" of the topological space A (with Zariski topology): for every subvariety of A, one additional non-closed point has been introduced, and this point "keeps track" of the corresponding subvariety. One thinks of this point as the generic point for the subvariety. Furthermore, the sheaf on Spec(R) and the sheaf of polynomial functions on A are essentially identical. By studying spectra of polynomial rings instead of algebraic sets with Zariski topology, one can generalize the concepts of algebraic geometry to non-algebraically closed fields and beyond, eventually arriving at the language of schemes.

Read more about this topic:  Spectrum Of A Ring

Famous quotes containing the words motivation, algebraic and/or geometry:

    Self-determination has to mean that the leader is your individual gut, and heart, and mind or we’re talking about power, again, and its rather well-known impurities. Who is really going to care whether you live or die and who is going to know the most intimate motivation for your laughter and your tears is the only person to be trusted to speak for you and to decide what you will or will not do.
    June Jordan (b. 1939)

    I have no scheme about it,—no designs on men at all; and, if I had, my mode would be to tempt them with the fruit, and not with the manure. To what end do I lead a simple life at all, pray? That I may teach others to simplify their lives?—and so all our lives be simplified merely, like an algebraic formula? Or not, rather, that I may make use of the ground I have cleared, to live more worthily and profitably?
    Henry David Thoreau (1817–1862)

    The geometry of landscape and situation seems to create its own systems of time, the sense of a dynamic element which is cinematising the events of the canvas, translating a posture or ceremony into dynamic terms. The greatest movie of the 20th century is the Mona Lisa, just as the greatest novel is Gray’s Anatomy.
    —J.G. (James Graham)