Story
Space Hulk's campaign is mostly exposited through pre-mission briefings. The prologue in the game manual states the Dark Angels, a force of Space Marines, had repelled a Genestealer incursion in the Tolevi system many centuries before current events in the game. A Dark Angel hero was leading his men aboard the invading space hulk, Sin of Damnation, when it vanished into the warp. The first mission in the campaign sends the player's squad to investigate the Tolevi system for a distress call of Dark Angels' origin. A nest of Genestealers is uncovered on the planet Ma'Caellia, and the player's forces are ordered to destroy the aliens' Hive Mind. However, there are too many Genestealers, and the Marines are forced to withdraw. Without any other options, the Marines destroy the infestation and all other life forms on the planet with virus bombs—biological weapons of mass destruction. As they are doing so, the Sin of Damnation re-enters the system, and the player receives orders to invade the hulk. Aboard the vessel, the player's squads destroy the Genestealers' gene banks and their Patriarch. The end of the campaign tasks the player to control a lone Marine as he goes deep into the hulk to find the source of the distress call.
Read more about this topic: Space Hulk (video game)
Famous quotes containing the word story:
“One of the necessary qualifications of an efficient business man in these days of industrial literature seems to be the ability to write, in clear and idiomatic English, a 1,000-word story on how efficient he is and how he got that way.... It seems that the entire business world were devoting its working hours to the creation of a school of introspective literature.”
—Robert Benchley (1889–1945)
“Well, I know you haven’t had much experience writing and none at all in pictures. But I’ve heard about you. It all sounded like you’re just the man I wanted for a story about the Navy. I don’t want a story just about ships and planes. I want a story about the officers.... I want this story from a pen dipped in salt water not dry martinis. Do you know what I mean?”
—Frank Fenton, William Wister Haines, co-scenarist, and John Ford. John Dodge (Ward Bond)
“To recover the fatherhood idea, we must fashion a new cultural story of fatherhood. The moral of today’s story is that fatherhood is superfluous. The moral of the new story must be that fatherhood is essential.”
—David Blankenhorn (20th century)