Music Made With Sounds of Outer Space
Energy sources in the atmosphere, such as lightning, can produce sounds (sferics, tweeks, and whistlers) in the very low frequency (VLF) radio band.
Objects in space - the Sun, planets, stars, quasars, pulsars, galaxies, and active galaxies - all produce signals that, if received (usually through radio astronomy dishes and processed), can be used by a musician as the basis for any kind of composition imaginable.
Scientists with an interest in space-based sounds include:
- Don Gurnett.
- Stephen P. McGreevy.
- Alexander Kosovichev, a Stanford scientist whose researches into the sun's oscillations (and who uploaded the sounds to the net) encouraged Stephen Taylor (see below) to create his album.
- Dr. Fiorella Terenzi has created several works that use sounds derived from celestial radio signals homepage, Space.com entry.
- NASA produced a CD in 1992 from Voyager 1 & 2 recordings of electromagnetic fields processed with digital sampling techniques.
Artists/bands who have included such sounds in their works include:
- Terry Riley, along with the Kronos Quartet, in their album Sun Rings, which used "sounds of the planets recorded by the Voyager mission on its journey to deep space" .
- Stephen Taylor, in the album The Heart of the Sun.
- Robert Schroeder's album Galaxie Cygnus-A used interstellar noise from the distant galaxy in the title
Read more about this topic: Space-themed Music
Famous quotes containing the words outer space, music, sounds, outer and/or space:
“I know, it must have been my imagination, but it makes me realize how desperately alone the Earth is. Hanging in space like a speck of food floating in the ocean. Sooner or later to be swallowed up by some creature floating by.... Time will tell, Dr. Mason. We can only wait and wonder. Wonder how, wonder when.”
—Tom Graeff. Young astronomer, Teenagers from Outer Space, after just seeing the invading spaceship through his telescope, and dismissing it (1959)
“Nothing is capable of being well set to music that is not nonsense.”
—Joseph Addison (1672–1719)
“I spoke at a woman’s club in Philadelphia yesterday and a young lady said to me afterwards, “Well, that sounds very nice, but don’t you think it is better to be the power behind the throne?” I answered that I had not had much experience with thrones, but a woman who has been on a throne, and who is now behind it, seems to prefer to be on the throne.”
—Anna Howard Shaw (1847–1919)
“The outer world, from which we cower into our houses, seemed after all a gentle habitable place; and night after night a man’s bed, it seemed, was laid and waiting for him in the fields, where God keeps an open house.”
—Robert Louis Stevenson (1850–1894)
“Sir Walter Raleigh might well be studied, if only for the excellence of his style, for he is remarkable in the midst of so many masters. There is a natural emphasis in his style, like a man’s tread, and a breathing space between the sentences, which the best of modern writing does not furnish. His chapters are like English parks, or say rather like a Western forest, where the larger growth keeps down the underwood, and one may ride on horseback through the openings.”
—Henry David Thoreau (1817–1862)