Music Made With Sounds of Outer Space
Energy sources in the atmosphere, such as lightning, can produce sounds (sferics, tweeks, and whistlers) in the very low frequency (VLF) radio band.
Objects in space - the Sun, planets, stars, quasars, pulsars, galaxies, and active galaxies - all produce signals that, if received (usually through radio astronomy dishes and processed), can be used by a musician as the basis for any kind of composition imaginable.
Scientists with an interest in space-based sounds include:
- Don Gurnett.
- Stephen P. McGreevy.
- Alexander Kosovichev, a Stanford scientist whose researches into the sun's oscillations (and who uploaded the sounds to the net) encouraged Stephen Taylor (see below) to create his album.
- Dr. Fiorella Terenzi has created several works that use sounds derived from celestial radio signals homepage, Space.com entry.
- NASA produced a CD in 1992 from Voyager 1 & 2 recordings of electromagnetic fields processed with digital sampling techniques.
Artists/bands who have included such sounds in their works include:
- Terry Riley, along with the Kronos Quartet, in their album Sun Rings, which used "sounds of the planets recorded by the Voyager mission on its journey to deep space" .
- Stephen Taylor, in the album The Heart of the Sun.
- Robert Schroeder's album Galaxie Cygnus-A used interstellar noise from the distant galaxy in the title
Read more about this topic: Space-themed Music
Famous quotes containing the words outer space, music, sounds, outer and/or space:
“After one look at this planet any visitor from outer space would say “I WANT TO SEE THE MANAGER.””
—William Burroughs (b. 1914)
“A woman drew her long black hair out tight
And fiddled whisper music on those strings
And bats with baby faces in the violet light
Whistled, and beat their wings
And crawled head downward down a blackened wall....”
—T.S. (Thomas Stearns)
“These were the sounds that issued from the wigwams of this country before Columbus was born; they have not yet died away; and, with remarkably few exceptions, the language of their forefathers is still copious enough for them. I felt that I stood, or rather lay, as near to the primitive man of America, that night, as any of its discoverers ever did.”
—Henry David Thoreau (1817–1862)
“No one knows better than children how much they need the authority that protects, that sets the outer limits of behavior with known and prescribed consequences. As one little boy expressed it to his mother, “You care what I do.””
—Leontine Young (20th century)
“To play is nothing but the imitative substitution of a pleasurable, superfluous and voluntary action for a serious, necessary, imperative and difficult one. At the cradle of play as well as of artistic activity there stood leisure, tedium entailed by increased spiritual mobility, a horror vacui, the need of letting forms no longer imprisoned move freely, of filling empty time with sequences of notes, empty space with sequences of form.”
—Max J. Friedländer (1867–1958)