Music Made With Sounds of Outer Space
Energy sources in the atmosphere, such as lightning, can produce sounds (sferics, tweeks, and whistlers) in the very low frequency (VLF) radio band.
Objects in space - the Sun, planets, stars, quasars, pulsars, galaxies, and active galaxies - all produce signals that, if received (usually through radio astronomy dishes and processed), can be used by a musician as the basis for any kind of composition imaginable.
Scientists with an interest in space-based sounds include:
- Don Gurnett.
- Stephen P. McGreevy.
- Alexander Kosovichev, a Stanford scientist whose researches into the sun's oscillations (and who uploaded the sounds to the net) encouraged Stephen Taylor (see below) to create his album.
- Dr. Fiorella Terenzi has created several works that use sounds derived from celestial radio signals homepage, Space.com entry.
- NASA produced a CD in 1992 from Voyager 1 & 2 recordings of electromagnetic fields processed with digital sampling techniques.
Artists/bands who have included such sounds in their works include:
- Terry Riley, along with the Kronos Quartet, in their album Sun Rings, which used "sounds of the planets recorded by the Voyager mission on its journey to deep space" .
- Stephen Taylor, in the album The Heart of the Sun.
- Robert Schroeder's album Galaxie Cygnus-A used interstellar noise from the distant galaxy in the title
Read more about this topic: Space-themed Music
Famous quotes containing the words outer space, music, sounds, outer and/or space:
“I know, it must have been my imagination, but it makes me realize how desperately alone the Earth is. Hanging in space like a speck of food floating in the ocean. Sooner or later to be swallowed up by some creature floating by.... Time will tell, Dr. Mason. We can only wait and wonder. Wonder how, wonder when.”
—Tom Graeff. Tom Graeff. Young astronomer, Teenagers from Outer Space, after just seeing the invading spaceship through his telescope, and dismissing it (1959)
“Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.”
—Thomas Beecham (1879–1961)
“We may say that feelings have two kinds of intensity. One is the intensity of the feeling itself, by which loud sounds are distinguished from faint ones, luminous colors from dark ones, highly chromatic colors from almost neutral tints, etc. The other is the intensity of consciousness that lays hold of the feeling, which makes the ticking of a watch actually heard infinitely more vivid than a cannon shot remembered to have been heard a few minutes ago.”
—Charles Sanders Peirce (1839–1914)
“After one look at this planet any visitor from outer space would say “I WANT TO SEE THE MANAGER.””
—William Burroughs (b. 1914)
“The limitless future of childhood shrinks to realistic proportions, to one of limited chances and goals; but, by the same token, the mastery of time and space and the conquest of helplessness afford a hitherto unknown promise of self- realization. This is the human condition of adolescence.”
—Peter Blos (20th century)