Music Made With Sounds of Outer Space
Energy sources in the atmosphere, such as lightning, can produce sounds (sferics, tweeks, and whistlers) in the very low frequency (VLF) radio band.
Objects in space - the Sun, planets, stars, quasars, pulsars, galaxies, and active galaxies - all produce signals that, if received (usually through radio astronomy dishes and processed), can be used by a musician as the basis for any kind of composition imaginable.
Scientists with an interest in space-based sounds include:
- Don Gurnett.
- Stephen P. McGreevy.
- Alexander Kosovichev, a Stanford scientist whose researches into the sun's oscillations (and who uploaded the sounds to the net) encouraged Stephen Taylor (see below) to create his album.
- Dr. Fiorella Terenzi has created several works that use sounds derived from celestial radio signals homepage, Space.com entry.
- NASA produced a CD in 1992 from Voyager 1 & 2 recordings of electromagnetic fields processed with digital sampling techniques.
Artists/bands who have included such sounds in their works include:
- Terry Riley, along with the Kronos Quartet, in their album Sun Rings, which used "sounds of the planets recorded by the Voyager mission on its journey to deep space" .
- Stephen Taylor, in the album The Heart of the Sun.
- Robert Schroeder's album Galaxie Cygnus-A used interstellar noise from the distant galaxy in the title
Read more about this topic: Space-themed Music
Famous quotes containing the words outer space, music, sounds, outer and/or space:
“After one look at this planet any visitor from outer space would say “I WANT TO SEE THE MANAGER.””
—William Burroughs (b. 1914)
“Music, ho, music such as charmeth sleep!”
—William Shakespeare (1564–1616)
“half-way up the hill, I see the Past
Lying beneath me with its sounds and sights,—
A city in the twilight dim and vast,
With smoking roofs, soft bells, and gleaming lights,—
And hear above me on the autumnal blast
The cataract of Death far thundering from the heights.”
—Henry Wadsworth Longfellow (1809–1882)
“The Dada object reflected an ironic posture before the consecrated forms of art. The surrealist object differs significantly in this respect. It stands for a mysterious relationship with the outer world established by man’s sensibility in a way that involves concrete forms in projecting the artist’s inner model.”
—J.H. Matthews. “Object Lessons,” The Imagery of Surrealism, Syracuse University Press (1977)
“Thus all our dignity lies in thought. Through it we must raise ourselves, and not through space or time, which we cannot fill. Let us endeavor, then, to think well: this is the mainspring of morality.”
—Blaise Pascal (1623–1662)