Music Made With Sounds of Outer Space
Energy sources in the atmosphere, such as lightning, can produce sounds (sferics, tweeks, and whistlers) in the very low frequency (VLF) radio band.
Objects in space - the Sun, planets, stars, quasars, pulsars, galaxies, and active galaxies - all produce signals that, if received (usually through radio astronomy dishes and processed), can be used by a musician as the basis for any kind of composition imaginable.
Scientists with an interest in space-based sounds include:
- Don Gurnett.
- Stephen P. McGreevy.
- Alexander Kosovichev, a Stanford scientist whose researches into the sun's oscillations (and who uploaded the sounds to the net) encouraged Stephen Taylor (see below) to create his album.
- Dr. Fiorella Terenzi has created several works that use sounds derived from celestial radio signals homepage, Space.com entry.
- NASA produced a CD in 1992 from Voyager 1 & 2 recordings of electromagnetic fields processed with digital sampling techniques.
Artists/bands who have included such sounds in their works include:
- Terry Riley, along with the Kronos Quartet, in their album Sun Rings, which used "sounds of the planets recorded by the Voyager mission on its journey to deep space" .
- Stephen Taylor, in the album The Heart of the Sun.
- Robert Schroeder's album Galaxie Cygnus-A used interstellar noise from the distant galaxy in the title
Read more about this topic: Space-themed Music
Famous quotes containing the words outer space, music, sounds, outer and/or space:
“After one look at this planet any visitor from outer space would say “I WANT TO SEE THE MANAGER.””
—William Burroughs (b. 1914)
“Good music is very close to primitive language.”
—Denis Diderot (1713–1784)
“The lovely shapes and sounds intelligible
Of that eternal language, which thy God
Utters, who from eternity doth teach
Himself in all, and all things in himself.”
—Samuel Taylor Coleridge (1772–1834)
“When human beings have been fascinated by the contemplation of their own hearts, the more intricate biological pattern of the female has become a model for the artist, the mystic, and the saint. When mankind turns instead to what can be done, altered, built, invented, in the outer world, all natural properties of men, animals, or metals become handicaps to be altered rather than clues to be followed.”
—Margaret Mead (1901–1978)
“A set of ideas, a point of view, a frame of reference is in space only an intersection, the state of affairs at some given moment in the consciousness of one man or many men, but in time it has evolving form, virtually organic extension. In time ideas can be thought of as sprouting, growing, maturing, bringing forth seed and dying like plants.”
—John Dos Passos (1896–1970)