Southern United States - Culture

Culture

The predominant culture of the South has its origins with the settlement of the region by large groups of Northern English, Scots lowlanders and Ulster-Scots (later called the Scotch-Irish) who settled in Appalachia and the Piedmont in the 18th century, and from parts of southern England such as East Anglia, Kent and the West Country in the 17th century, and the many African slaves who were part of the Southern economy. African-American descendants of the slaves brought into the South comprise the United States' second-largest racial minority, accounting for 12.1 percent of the total population according to the 2000 census. Despite Jim Crow era outflow to the North, the majority of the black population remains concentrated in the Southern states, and has heavily contributed to the cultural blend (the charismatic brand of Christianity, foods, art, music (see spiritual, blues, jazz and rock and roll) that characterize Southern culture today.

The South has been seen largely as a stronghold of Protestant Christianity. Although the traditional Southerner was Anglican, or more accurately Episcopalian, the predominant denominations in the South are now Baptists (especially the Southern Baptist Convention), followed by Methodists, with other denominations found throughout the region. Roman Catholics historically were concentrated in Louisiana and Hispanic areas such as South Texas and South Florida and along the Gulf Coast. The great majority of black Southerners are Baptist or Methodist. Statistics show that Southern states have the highest religious attendance figures in the nation. The pervasiveness of religion in the region influences the conservative political philosophy common in the South.

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Famous quotes containing the word culture:

    When women finally get liberated, they’ll do the same that men do—dog eat dog— that’s what our culture is.... Not cooperation but assassination. Women will cooperate until they attain certain goals. Then one will begin to destroy the other.
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    It is of the essence of imaginative culture that it transcends the limits both of the naturally possible and of the morally acceptable.
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    We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.
    Christopher Lasch (b. 1932)