Biography
Soulima Stravinsky was born in Lausanne, Switzerland, in 1910, the son of Igor Stravinsky and Katerina Nossenko, and the grandson of Fyodor Stravinsky. He studied piano with Isidor Philipp as well as theory and composition with Nadia Boulanger. He appeared in Paris in 1934 playing his father's Concerto for Piano and Winds, Capriccio for Piano and Orchestra and the Concerto for Two Pianos. He recorded these works with his father in 1938.
He played in London at the 1937 season of the Proms.
Igor Stravinsky moved to the United States in 1939, but Soulima joined the French army and remained in Europe for nine more years. He moved to the USA in 1948, making his American debut that year at the Red Rocks Festival in Colorado and his New York debut with the CBS Symphony Orchestra.
In 1950, Soulima Stravinsky was appointed to the piano faculty of the School of Music of the University of Illinois, where he remained until 1978. He continued his concerto solo career and began distinguishing himself as a composer, transcriber and editor. In addition to his many musical compositions, he wrote books on orchestration and the orchestra. His book on orchestration contains an excellent section on brass instruments including many unusual instruments.
In 1974, Stravinsky was awarded the "Chevalier des Arts et des Lettres" by the French Ministry of Cultural Affairs.
He died in Sarasota, Florida in 1994, survived by his wife Francoise, his son John, and his sister Milene Marion.
About nine months after his death, his widow Francoise found a previously unknown work amongst Soulima's papers - a Lamento for cello and piano. It was in incomplete form, but it was edited and performed for the first time before Francoise herself died.
Read more about this topic: Soulima Stravinsky
Famous quotes containing the word biography:
“A biography is like a handshake down the years, that can become an arm-wrestle.”
—Richard Holmes (b. 1945)
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (18171862)