Style
The influence of Campi, whose reputation was based on portraiture, is evident in Anguissola's early works, such as the Self-Portrait (Florence, Uffizi). Her work was allied to the worldly tradition of Cremona, influenced greatly by the art of Parma and Mantua, in which even religious works were imbued with extreme delicacy and charm. From Gatti, she seems to have absorbed elements reminiscent of Correggio, beginning a trend in Cremonese painting of the late 16th century. This new direction is reflected in Lucia, Minerva and Europa Anguissola Playing Chess (1555; Poznan, N. Mus.) in which portraiture merges into a quasi-genre scene, a characteristic derived from Brescian models.
The main body of Anguissola's earlier work consists of self-portraits (the many "autoritratti" reflect the fact that portraits of her were frequently requested due to her fame) and portraits of her family, which are considered by many to be her finest works.
Approximately fifty works have been attributed to Anguissola. Her paintings can be seen at galleries in Baltimore (Walters Art Museum), Bergamo, Boston (Museum of Fine Arts), Brescia (Pinacoteca Tosio Martinengo), Budapest, Florence (Uffizi Gallery), Graz (Joanneum Alte Galerie), Madrid (Museo del Prado), Milan (Pinacoteca di Brera), Naples (National Museum of Capodimonte), Siena (Pinacoteca Nazionale), Southampton (City Art Gallery), and Vienna (Kunsthistorisches Museum).
Read more about this topic: Sofonisba Anguissola
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