Recording
Many songs from Smile from the Streets You Hold were recorded when Frusciante was still with the Chili Peppers and are from the same period as his previous solo album, Niandra Lades and Usually Just a T-Shirt.
In a 1997 interview with Guitar Player, Frusciante claimed to have maintained active communication with the spirit world during the album's recording phase:
| “ | The title song was a very intense moment, because I was having verbal communication with the spirits while I was recording; and I started crying at the end of it. The spirits give you ideas for things, and what's important to them is what's important to me. I'm much more concerned with my fame in their world than with my fame in this one. That's why it's been difficult for me to adjust to being alive at all. | ” |
Actor River Phoenix, a good friend of Frusciante and the rest of the Chili Peppers, is featured on two tracks, "Height Down" (originally titled "Soul Removal"), and "Well I've Been" (originally titled "Bought Her Soul"). Both songs were supposed to be released on Niandra LaDes and Usually Just a T-Shirt, but were pulled by request of Phoenix's family after Phoenix's death.
"More", "I Can't See Until I See Your Eyes", and "Estress" were recorded to a cassette on a boombox in 1996. Frusciante's poor health is apparent in his voice.
Read more about this topic: Smile From The Streets You Hold
Famous quotes containing the word recording:
“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (1817–1862)
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)