Design
The basic design of the slate consists of two pieces of metal, plastic or wood fastened together with a hinge at one side.
The back of the slate is solid with slight depressions spaced in braille cells of six raised dots arranged in a grid of two dots horizontally by three dots vertically. In the shape of an inverted braille dot of approximately 1.5 mm (0.059 in) diameter; .75 mm (0.030 in) depth or height; the horizontal and vertical spacing between dot centers within a braille cell is approximately 2.5 mm (0.098 in) cell to cell (dot 1 center to dot 1 center horizontally) 6.5 mm (0.26 in).
The front of the slate has a corresponding rectangular cells with indentations in the side of the cell, over the depressions in the back so the blind user can properly position the stylus and press to form a dot.
There are pins or posts in the back of the slate positioned in non-cell areas to hold the paper in place and keep the top properly positioned over the back. The pins align with matching depressions on the opposite side of the slate. A slate as designed for a normal 8.5 inch piece of paper has 28 cells. It can have any number of rows, usually at least four.
The stylus is a short blunted awl with a handle to comfortably fit the hand of the user.
Read more about this topic: Slate And Stylus
Famous quotes containing the word design:
“If I commit suicide, it will not be to destroy myself but to put myself back together again. Suicide will be for me only one means of violently reconquering myself, of brutally invading my being, of anticipating the unpredictable approaches of God. By suicide, I reintroduce my design in nature, I shall for the first time give things the shape of my will.”
—Antonin Artaud (1896–1948)
“Teaching is the perpetual end and office of all things. Teaching, instruction is the main design that shines through the sky and earth.”
—Ralph Waldo Emerson (1803–1882)
“The reason American cars don’t sell anymore is that they have forgotten how to design the American Dream. What does it matter if you buy a car today or six months from now, because cars are not beautiful. That’s why the American auto industry is in trouble: no design, no desire.”
—Karl Lagerfeld (b. 1938)