Style
The 'Sixty Dome' Mosque has walls of unusually thick, tapered brick in the Tughlaq style and a hut-shaped roofline that anticipates later styles.The total length of the mosque is 160 feet and width is 108 feet. There are actually seventy-seven (77) low domes arranged in seven rows of eleven, and one dome on each corner, bringing the total to 81 domes.There are also four towers. Two of four towers were used to call azaan. The interior is divided into many aisles and bays by slender columns, which culminate in numerous arches that support the roof. The mosque has 77 squat domes with 7 four sided pitched Bengali domes in the middle row. The vast prayer hall, although provided with 11 arched doorways on east and 7 each on north and south for ventilation and light, presents a dark and somber appearance inside. It is divided into 7 longitudinal aisles and 11 deep bays by a forest of 60 slender stone columns, from which springs rows of endless arches, supporting the domes. Six feet thick, slightly tapering walls and hollow and round, almost detached corner towers, resembling the bastions of fortress, each capped by small rounded cupolas, recall the Tughlaq architecture of Delhi. The mosque represents wonderful archeological beauty which was the signature in the 15th century.
Read more about this topic: Sixty Dome Mosque
Famous quotes containing the word style:
“No change in musical style will survive unless it is accompanied by a change in clothing style. Rock is to dress up to.”
—Frank Zappa (19401994)
“Carlyle must undoubtedly plead guilty to the charge of mannerism. He not only has his vein, but his peculiar manner of working it. He has a style which can be imitated, and sometimes is an imitator of himself.”
—Henry David Thoreau (18171862)
“I concluded that I was skilled, however poorly, at only one thing: marriage. And so I set about the business of selling myself and two children to some unsuspecting man who might think me a desirable second-hand mate, a man of good means and disposition willing to support another mans children in some semblance of the style to which they were accustomed. My heart was not in the chase, but I was tired and there was no alternative. I could not afford freedom.”
—Barbara Howar (b. 1934)