Sixto Diaz Rodriguez - Domestic Record Career

Domestic Record Career

In 1967 (under the name Rod Riguez) he released the single "I'll Slip Away" through the small label, Impact. He did not produce anything for another three years until he was signed to Sussex Records, an offshoot of Buddah records.

It was after the move to Sussex that he changed his professional name to just Rodríguez. Rodríguez recorded two albums with Sussex: Cold Fact in 1970 and Coming from Reality in 1971. But after both of his albums sold very few copies in the USA, he was quickly dropped from the label, which folded in 1975. At the time of his release from the contract, Rodríguez was in the process of completing a third album which has yet to be released.

After this happened, Sixto discontinued his music career and stayed in Detroit. There, he worked in several industries that revolved around manual labor such as demolition, yet always stayed close to a state of poverty. Having remained politically active and motivated to improve the lives of the city's working class inhabitants, Sixto registered and ran for city council in Detroit in 1989.

It was revealed in 2013 that Sixto has written 30 new songs and is in discussions with Steve Rowland, the producer behind some of his old albums. "I've written about thirty new songs," Sixto told Rolling Stone magazine. "He told me to send him a couple of tapes, so I'm gonna do that. I certainly want to look him up, because now he's full of ideas."

Read more about this topic:  Sixto Diaz Rodriguez

Famous quotes containing the words domestic, record and/or career:

    I have no hesitation in saying that although the American woman never leaves her domestic sphere and is in some respects very dependent within it, nowhere does she enjoy a higher station. And ... if anyone asks me what I think the chief cause of the extraordinary prosperity and growing power of this nation, I should answer that it is due to the superiority of their women.
    Alexis de Tocqueville (1805–1859)

    That is what the highest criticism really is, the record of one’s own soul. It is more fascinating than history, as it is concerned simply with oneself. It is more delightful than philosophy, as its subject is concrete and not abstract, real and not vague. It is the only civilised form of autobiography.
    Oscar Wilde (1854–1900)

    Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.
    Letty Cottin Pogrebin (20th century)