Domestic Record Career
In 1967 (under the name Rod Riguez) he released the single "I'll Slip Away" through the small label, Impact. He did not produce anything for another three years until he was signed to Sussex Records, an offshoot of Buddah records.
It was after the move to Sussex that he changed his professional name to just Rodríguez. Rodríguez recorded two albums with Sussex: Cold Fact in 1970 and Coming from Reality in 1971. But after both of his albums sold very few copies in the USA, he was quickly dropped from the label, which folded in 1975. At the time of his release from the contract, Rodríguez was in the process of completing a third album which has yet to be released.
After this happened, Sixto discontinued his music career and stayed in Detroit. There, he worked in several industries that revolved around manual labor such as demolition, yet always stayed close to a state of poverty. Having remained politically active and motivated to improve the lives of the city's working class inhabitants, Sixto registered and ran for city council in Detroit in 1989.
It was revealed in 2013 that Sixto has written 30 new songs and is in discussions with Steve Rowland, the producer behind some of his old albums. "I've written about thirty new songs," Sixto told Rolling Stone magazine. "He told me to send him a couple of tapes, so I'm gonna do that. I certainly want to look him up, because now he's full of ideas."
Read more about this topic: Sixto Diaz Rodriguez
Famous quotes containing the words domestic, record and/or career:
“It’s a naïve domestic Burgundy without any breeding, but I think you’ll be amused by its presumption.”
—James Thurber (1894–1961)
“The first thing which I can record concerning myself is, that I was born.... These are wonderful words. This life, to which neither time nor eternity can bring diminution—this everlasting living soul, began. My mind loses itself in these depths.”
—Margaret Oliphant (1828–1897)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)