Works
Sivanath Sastri wrote extensively throughout his life. Amongst his publications are – History of the Brahmo Samaj, New Dispensation and the Sadharan Brahmo Samaj, Men I Have Seen, The Mission of the Brahmo Samaj, Theistic Churches in India, Puspamalya (poetry), Mejo Bou (novel), Jatived, Pushpanjali (poetry), Nirbasiter Bilap (poetry), Pushpamala (poetry), Himadrikusum (poetry), Chhayamoyee Parinay, Jugantar (novel), Nayantara (novel), Upakatha, Bidhabar Chhele,Raghubansa (English and Bengali translation of Kalidasa), Dharmajibon, Ramtanu Lahiri O Tatkalin Bangasamaj, Atmacharit, Atmapariksha, Englander Diary, and Chhotoder Galpo.
Sivanath Sastri started a Bengali periodical, Mukul, for children in 1302. In the earlier issues he wrote most of what was published but as new writers came up, he gradually left more space for them. He edited it for six years. The magazine is still referred to a pioneer in children’s literature.
His poem Sramajibi published in the inaugural issue of Bharat Sramajibi (in 1874), edited by Sashipada Banerjee, was the first poem written in Bengali about the working class.
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Famous quotes containing the word works:
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)
“Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
—Rebecca West (1892–1983)
“Audible prayer can never do the works of spiritual understanding, which regenerates; but silent prayer, watchfulness, and devout obedience enable us to follow Jesus’ example. Long prayers, superstition, and creeds clip the strong pinions of love, and clothe religion in human forms. Whatever materializes worship hinders man’s spiritual growth and keeps him from demonstrating his power over error.”
—Mary Baker Eddy (1821–1910)