Structure and Methods
Members of the Sisters of Perpetual Indulgence include men, women, and transgender people who identify with a variety of sexual orientations, although the majority are gay men. Joining an order mirrors the steps for joining an actual order of nuns. Potential members are encouraged to attend organizational meetings as aspirants, and told that if they are not intending to make a lifelong commitment they should seriously reconsider. After showing intent and being approved by the order, an aspirant is promoted to a postulant and is expected to learn about the history of the organization and continue to work behind the scenes for at least six months. Postulants are not allowed to wear nun's attire, but may instead dress in "festive garb that fits in with Order", according to the Sisters' website. If the members approve of the postulant, a fully indoctrinated member may act as a sponsor and the postulant is promoted to a novice. Novices are allowed to wear white veils and whiteface make-up. This phase lasts another six months during which the novice is expected to work within the organization and plan an event. If three-fourths of the order agrees, the novice is promoted to a full member of the group.
After their inception, the Sisters soon spread to other cities within the U.S. as a loosely connected network of mostly autonomous houses. There are thirteen houses and six missions in various cities across the U.S. Globally, 600 members work for established houses or missions in Australia, Canada, Colombia, France, Germany, Scotland, Switzerland, the United Kingdom, and Uruguay. The San Francisco Founding House anchors much of the activities and continues to be the largest and most well-funded. The San Francisco House (SPI, Inc.) also holds the registered trademarks for "Sisters of Perpetual Indulgence" and the "laughing nun head" logo.
Only in San Francisco could the Sisters of Perpetual Indulgence not only make their first appearance, but become interwoven in the cultural and political fabric of the city, according to scholar Cathy Glenn in the journal Theory and Event. Glenn uses the examples of San Francisco as a society of hyperpluralism, where all the groups who have called the city their home have successfully maintained their individual identities, creating a culture defined by counterculture and at times marked by political violence. The Sisters use Catholic imagery as simultaneous inspiration and fodder for parody through camp. They choose names based on the process of renaming women inducted into Catholic orders, but that suggest sexual promiscuity or that are based in absurdity: Sister Anita Blowjob, Sister GladAss of the Joyous Reserectum, Sister Hellena Handbasket, and Sister Homo Celestial, among others. They wear wimples, habits, and robes of nuns, but accessorize them garishly with baubles, beads, and whiteface make-up. Sister Phyllis Stein the Fragrant Mistress of Sistory asserts that there is a clear distinction between drag queens and members of the Sisters of Perpetual Indulgence: "We're not dressed as girls, we're dressed as nuns... We definitely minister to the spiritual needs of our community, while drag queens sort of focus on camp and fun within our communities. We're very different communities. A lot of people refer to us as drag queens, but we say we're in nun drag. We are nuns."
Sister Irma Geddon of the Portland, Oregon-based Order of Benevolent Bliss offered her view of the efficacy of using nun's clothing and drag: "The lightness of everything, in addition to the whiteface and the nun's habits, are a mechanism to reach out to people. When we're dressed up like that, kind of like sacred clowns, it allows people to interact with us."
Read more about this topic: Sisters Of Perpetual Indulgence
Famous quotes containing the words structure and, structure and/or methods:
“Each structure and institution here was so primitive that you could at once refer it to its source; but our buildings commonly suggest neither their origin nor their purpose.”
—Henry David Thoreau (1817–1862)
“If rightly made, a boat would be a sort of amphibious animal, a creature of two elements, related by one half its structure to some swift and shapely fish, and by the other to some strong-winged and graceful bird.”
—Henry David Thoreau (1817–1862)
“A writer who writes, “I am alone” ... can be considered rather comical. It is comical for a man to recognize his solitude by addressing a reader and by using methods that prevent the individual from being alone. The word alone is just as general as the word bread. To pronounce it is to summon to oneself the presence of everything the word excludes.”
—Maurice Blanchot (b. 1907)