Culture
Sinhalese culture is a unique one featuring back to as back as 2600 years and has been nourished by Theravada Buddhism. Its main domains are sculpture, fine arts, literature, dancing, poetry and a wide variety of folk beliefs and rituals traditionally. Ancient Sinhalese stone sculpture and inscriptions are known worldwide and is a main foreign attraction in modern tourism. Sigirirya is famous for its frescoes. Folk poems were sung by workers to accompany their work and narrate the story of their lives. Ideally these poems consisted of four lines and, in the composition of these poems, special attention had been paid to the rhyming patterns. Buddhist festivals are dotted by unique music using traditionally Sinhala instruments. More ancient rituals like tovils (devil exorcism) continue to enthrall audiences today and often praised and admired the good and the power of Buddha and gods in order to exorcise the demons.
Concerning popular music, Ananda Samarakoon developed the reflective and poignant Sarala gee style with his work in the late 1930s/early 1940s. He has been followed by artists of repute such as W. D. Amaradeva, Nanda Malini, Victor Ratnayake, Austin Munasinghe, T. M. Jayaratne, Sanath Nandasiri, Sunil Edirisinghe, Neela Wickremasinghe, Gunadasa Kapuge, Malini Bulathsinghala and Edward Jayakody.
Dramatist Professor Ediriweera Sarachchandra revitalized the drama form with Maname in 1956. The same year, film director Lester James Peries created the artistic masterwork Rekava which sought to create a uniquely Sinhala cinema with artistic integrity. Since then, Peries and other directors like Vasantha Obeysekera, Dharmasena Pathiraja, Mahagama Sekera, W. A. B. de Silva, Professor Sunil Ariyaratne, Siri Gunasinghe, G. D. L. Perera, Piyasiri Gunaratne, Titus Thotawatte, D. B. Nihalsinghe, Ranjith Lal, Dayananda Gunawardena, Mudalinayake Somaratne, Ashoka Handagama and Prasanna Vithanage have developed an artistic Sinhala cinema. Sinhala cinema is often made colorful by the incorporation of songs and dance adding more uniqueness to the industry.
Read more about this topic: Sinhalese People
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—Mao Zedong (1893–1976)
“No culture on earth outside of mid-century suburban America has ever deployed one woman per child without simultaneously assigning her such major productive activities as weaving, farming, gathering, temple maintenance, and tent-building. The reason is that full-time, one-on-one child-raising is not good for women or children.”
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“Nobody seriously questions the principle that it is the function of mass culture to maintain public morale, and certainly nobody in the mass audience objects to having his morale maintained.”
—Robert Warshow (1917–1955)