"Bad Music"
Frith (2004, p. 17-9) argued that "'bad music' is a necessary concept for musical pleasure, for musical aesthetics." He distinguishes two common kinds of bad music; the Worst Records Ever Made type, which include:
- "Tracks which are clearly incompetent musically; made by singers who can't sing, players who can't play, producers who can't produce,"
- "Tracks involving genre confusion. The most common examples are actors or TV stars recording in the latest style, and "rock critical lists", which include:
- "Tracks that feature sound gimmicks that have outlived their charm or novelty,"
- "Tracks that depend on false sentiment (...), that feature an excess of feeling molded into a radio-friendly pop song."
He later gives three common qualities attributed to bad music: inauthentic, bad taste (see also: kitsch), and stupid. He argues that "The marking off of some tracks and genres and artists as 'bad' is a necessary part of popular music pleasure; it is a way we establish our place in various music worlds. And 'bad' is a key word here because it suggests that aesthetic and ethical judgements are tied together here: not to like a record is not just a matter of taste; it is also a matter of argument, and argument that matters." (p. 28)
Read more about this topic: Simon Frith
Famous quotes containing the words bad music, bad and/or music:
“There’s more bad music in jazz than any other form. Maybe that’s because the audience doesn’t really know what’s happening.”
—Pat Metheny (b. 1954)
“One can be well-bred and write bad poetry”
—Molière [Jean Baptiste Poquelin] (1622–1673)
“... the majority of colored men do not yet think it worth while that women aspire to higher education.... The three R’s, a little music and a good deal of dancing, a first rate dress-maker and a bottle of magnolia balm, are quite enough generally to render charming any woman possessed of tact and the capacity for worshipping masculinity.”
—Anna Julia Cooper (1859–1964)