Notable Film Scores
| Year | Title | Info | Limited? | Label | OOP / SOLD OUT |
|---|---|---|---|---|---|
| 2006 | Black Christmas | Final score before passing on. Replaced Vince Lauria. | ----- | ----- | NO CD |
| 2006 | Final Destination 3 | ----- | ----- | NO CD | |
| 2003 | Willard | Promotional CD released. | ----- | ----- | NO CD |
| 2003 | Final Destination 2 | Promotional CD released. | ----- | ----- | NO CD |
| 2000 | Final Destination | Complete score isolated on a DVD release, with commentary over parts. A shorter promotional CD-R was also issued. | ----- | ----- | NO CD |
| 1996 | Escape from L.A. | Co-composed with John Carpenter, and Alan Howarth | No | Milan Records | NO |
| 1993 | Batman: The Mask of the Phantasm | Feature film | 3,000 | La La Land Records | Yes |
| 1992 | Memoirs of an Invisible Man | Replaced Jack Nitzsche | No | Varèse Sarabande | OOP |
| 1997 | The Black Stallion | Co-composed with Carmine Coppola; some additional scoring by: Nyle Steiner, Bill Douglass, Kenneth Nash, & George Marsh. Replaced two other composers. | 1,500 | Intrada Records | SOLD OUT |
| 1990 | Chicago Joe and the Showgirl | As Walker stated in an interview, for legal reasons Hans Zimmer had to take credit, but she was the one who composed the score. | ----- | ----- | NO CD |
Read more about this topic: Shirley Walker
Famous quotes containing the words notable, film and/or scores:
“a notable prince that was called King John;
And he ruled England with main and with might,
For he did great wrong, and maintained little right.”
—Unknown. King John and the Abbot of Canterbury (l. 2–4)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“What is it then between us?
What is the count of the scores or hundreds of years between us?
Whatever it is, it avails not—distance avails not, and
place avails not,”
—Walt Whitman (1819–1892)