Plays, Films and Other Artistic Works
Shirley first gained national attention with Path With No Moccasins. Her directorial debut was with a short film called Silent Tears, which won several film festival awards for Best Short Film and was "screened at the 1998Sundance Film Festival.".
Her first feature film was Backroads, a journey into the harsh contemporary life of Cree women. The movie was financed and executive-produced by Offline Entertainment Group.
Shirley realized that she could "ease a pain or raise an issue with her film work" and so dedicated herself to creating film by enrolling in writing classes, director's labs, acting workshops and film schools
Much of her art is based on biographical elements. Path With No Moccasins gave Shirley the opportunity to "speak about her life and the struggle to retain her identity, and Cree heritage". Silent Tears chronicles the events of a "harsh winter trip with her parents to a northern trap line when she was eight years old".
In order to promote Aboriginal artists, Shirley and Blake Debassige co-own Kasheese Studios art gallery. She is also the president of Spoken Song film production company and founded the Weengushk Film Institute on Manitoulin Island that will train, develop and guide independent filmmakers.
Her artwork is inspired by Woodlands School, which is a concept given birth by Norval Morrisseau. Her art has been exhibited around the world, and her commissions include:
- Christmas cards for UNICEF
- Amnesty International
- The Ontario Native Women's Association
- The Hospital for Sick Children, Toronto
Read more about this topic: Shirley Cheechoo
Famous quotes containing the words films, artistic and/or works:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American—on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.”
—Wallace Stevens (1879–1955)
“The difference between de jure and de facto segregation is the difference open, forthright bigotry and the shamefaced kind that works through unwritten agreements between real estate dealers, school officials, and local politicians.”
—Shirley Chisholm (b. 1924)