Plays, Films and Other Artistic Works
Shirley first gained national attention with Path With No Moccasins. Her directorial debut was with a short film called Silent Tears, which won several film festival awards for Best Short Film and was "screened at the 1998Sundance Film Festival.".
Her first feature film was Backroads, a journey into the harsh contemporary life of Cree women. The movie was financed and executive-produced by Offline Entertainment Group.
Shirley realized that she could "ease a pain or raise an issue with her film work" and so dedicated herself to creating film by enrolling in writing classes, director's labs, acting workshops and film schools
Much of her art is based on biographical elements. Path With No Moccasins gave Shirley the opportunity to "speak about her life and the struggle to retain her identity, and Cree heritage". Silent Tears chronicles the events of a "harsh winter trip with her parents to a northern trap line when she was eight years old".
In order to promote Aboriginal artists, Shirley and Blake Debassige co-own Kasheese Studios art gallery. She is also the president of Spoken Song film production company and founded the Weengushk Film Institute on Manitoulin Island that will train, develop and guide independent filmmakers.
Her artwork is inspired by Woodlands School, which is a concept given birth by Norval Morrisseau. Her art has been exhibited around the world, and her commissions include:
- Christmas cards for UNICEF
- Amnesty International
- The Ontario Native Women's Association
- The Hospital for Sick Children, Toronto
Read more about this topic: Shirley Cheechoo
Famous quotes containing the words films, artistic and/or works:
“If you want to know all about Andy Warhol, just look at the surface: of my paintings and films and me, and there I am. There’s nothing behind it.”
—Andy Warhol (c. 1928–1987)
“[The pleasures of writing] correspond exactly to the pleasures of reading, the bliss, the felicity of a phrase is shared by writer and reader: by the satisfied writer and the grateful reader, or—which is the same thing—by the artist grateful to the unknown force in his mind that has suggested a combination of images and by the artistic reader whom his combination satisfies.”
—Vladimir Nabokov (1899–1977)
“He never works and never bathes, and yet he appears well fed always.... Well, what does he live on then?”
—Edward T. Lowe, and Frank Strayer. Sauer (William V. Mong)