Writing
Watson is best known for her modernist novel The Double Hook (1959), which is considered "a seminal work in the development of contemporary Canadian literature." "The Double Hook presents in concise, symbolic terms a drama of social disintegration and redemption, set in an isolated BC community.... These themes are presented in a style which itself balances on a "double hook": it is simultaneously local and universal, realistic and symbolic."
Watson has said the "double hook" of her title refers to the idea “that when you fish for the glory you catch the darkness too. That if you hook twice the glory you hook twice the fear.” She explained that her novel is "about how people are driven, how if they have no art, how if they have no tradition, how if they have no ritual, they are driven in one of 2 ways, either towards violence or towards insensibility - if they have no mediating rituals which manifest themselves in what I suppose we call art forms."
In 1992 Watson published a novel, Deep Hollow Creek, which she had written in the 1930s. It was shortlisted that year for the Governor General's Award. "Deep Hollow Creek treats many of the same themes" as The Double Hook "in a manner which is more direct and conventional, but no less elliptical and challenging. It is fascinating to imagine the ways in which Canadian fiction might have been transformed if this startling and brilliant novel had been published at the time of its first composition."
In the 1950s Watson published three interlinked stories, and a fourth in 1970, dealing with the family of Sophocles' Oedipus in a contemporary, realistic setting. The most critically discussed of these is "Antigone", a setting of the story of Creon and Antigone in the wilds of British Columbia.
Read more about this topic: Sheila Watson (writer)
Famous quotes containing the word writing:
“... in writing you cannot possibly be interesting if what you say is not true, if it is what I call “a true lie,” i.e., a truth which gives the wrong impression. For no matter how subtly you lie in writing, people know it and don’t believe you, and the whole secret of being interesting is to be believed.”
—Brenda Ueland (1891–1985)
“When you are writing before there is an audience anything written is as important as any other thing and you cherish anything and everything that you have written. After the audience begins, naturally they create something that is they create you, and so not everything is so important, something is more important than another thing ...”
—Gertrude Stein (1874–1946)
“Historians desiring to write the actions of men, ought to set down the simple truth, and not say anything for love or hatred; also to choose such an opportunity for writing as it may be lawful to think what they will, and write what they think, which is a rare happiness of the time.”
—Sir Walter Raleigh (1552–1618)