Plot
Johanka (Milka Zimková) had a fling with a well-digger (Peter Vonš) she had not met before and who, she was most likely certain, would never be around again. About 18 years later, she is a single woman respected and recognized at the local co-op farm where she works − except that it does not translate to the same compensation for her as for the male workers − who keeps turning down her lifelong suitor, friend and neighbor Berty (Peter Staník). Her 18-year-old daughter Paulína (Veronika Jeníková) commutes by bus to work in the nearby city, which gives the village gossips the occasional opportunity to remind her of her unknown father. A resultant conflict with her mother makes Paulína take up residence in the city.
Johanka, prodded by her also-single friend Jozefka (Marie Logojdová) who maintains that a woman without a man is nothing, begins to woo the new teacher Jarek (Jiří Klepl) only to discover later that he is married. Paulína, in the meantime, loses her virginity to the soldier Jirka (Ivan Klečka) who promptly makes himself scarce. Johanka fails to consider that she actually has a better life than some of her married neighbors, begins to see abortion or marriage as Paulína's only options, and places personals on her behalf. Although Štefan (Ľubomír Paulovič), one of the men who respond, turns out to be less than ideal, Paulína falls for him.
As Štefan's car breaks down on the way to the elaborate wedding party and the cake adorned with a doll he is bringing begins to melt in the heat, Paulína, in her wedding dress and tipsy before the ceremony, suffers miscarriage, perhaps as a result of Johanka's earlier attempt to induce abortion that would look as if it occurred spontaneously. The car that carries Paulína to the hospital passes Štefan's car towed by a farm tractor, but none of the involved notice.
Read more about this topic: She Grazed Horses On Concrete
Famous quotes containing the word plot:
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)