She Grazed Horses On Concrete

She Grazed Horses on Concrete (Slovak: Pásla kone na betóne) is a film which lays out serious topics that include a woman's capacity to hold her own in society, sexual mores, and abortion, and balances them with comedy and irony in proportions that instantly made it one of the biggest domestic blockbusters in Slovak cinema.

A quarter of a century later, its DVD release sold out within weeks. The film, directed by the reputed Štefan Uher, made the women at its center stage stand for humankind as matter-of-factly as much of Central European filmmaking had been portraying men's worlds, the quiet turnaround never even became a talking point. It was also the first film that employed a regional variety of the language that would be naturally used where the story took place, which provided an additional layer of humor whose novelty had people rolling in the aisles.

Its baffling title quotes a verse from a fresh folk song about a woman striving to accomplish impossible feats. Attempts to render it in English resulted in the film being shown and quoted under a range of titles that have included She Kept Crying for the Moon, She Kept Asking for the Moon, A Ticket to Heaven (also the erroneous A Ticket to the Heaven), and Concrete Pastures.

The film was entered into the 13th Moscow International Film Festival where it won the Silver Prize.

Read more about She Grazed Horses On Concrete:  Plot, Director, Screenplay, Cast, Release Dates

Famous quotes containing the words horses and/or concrete:

    Come, dear children, let us away;
    Down and away below!
    Now my brothers call from the bay,
    Now the great winds shoreward blow,
    Now the salt tides seaward flow;
    Now the wild white horses play,
    Champ and chafe and toss in the spray.
    Matthew Arnold (1822–1888)

    Total loyalty is possible only when fidelity is emptied of all concrete content, from which changes of mind might naturally arise.
    Hannah Arendt (1906–1975)