Shakeel Badayuni - Career

Career

Shakeel moved to Bombay in 1944 to write songs for films. He met film producer, A.R. Kardar and music composer, Naushad who asked him to sum up his poetic skills in one line. Shakeel wrote, Hum dard Ka Afsana Duniya Ko Suna Denge, Har Dil Main Mohabbat Ki Ek aag Laga Daingay. Naushad immediately signed him for Kardar's film, Dard (1947). The songs of Dard proved to be very successful especially Uma Devi (Tun Tun)'s Afsana Likh Rahi Hoon. Only a few are so lucky that they attain success in their first film, but Shakeel deserved success which started with Dard and continued on over the years.

Together, he and Naushad became one of the most sought after composer/lyricist duos in the industry. Among the scores they churned out together, are those of Baiju Bawra (1952), Mother India (1957), and Mughal-e-Azam (1960), that stand out. Other films they scored together include Dulari (1949), Shabab (1954), Ganga Jamuna (1961), and Mere Mehboob (1963). Although Shakeel Badayuni worked most extensively with Naushad, he also collaborated with Ravi and Hemant Kumar as well. His lyrics for the song Husnwale Tera Jawab Nahin and Ravi's music both won Filmfare Awards for the hit film Gharana. His other notable film with Ravi is Chaudhvin Ka Chand (1960), while Sahib Bibi Aur Ghulam (1962) is his biggest hit with Hemant Kumar. The title song from Chaudhvin Ka Chand, rendered by Mohammed Rafi, won Badayuni the Filmfare Award for Best Lyricist in 1961.

Shakeel penned numbers for around 89 films. In addition, he wrote many popular ghazals which are still sung by vocalists like Pankaj Udhas and others.

The Indian government had honoured him with the title Geet Kar-e-Azam.

Association with Naushad

Shakeel shared a close friendship with Naushad, Ravi and Ghulam Mohammed, with whom he enjoyed his life to the fullest. Naushad used Shakeel as the lyricist for his tunes for most of his films for a period of 20 years. Baiju Bawra, which was a milestone in both of their careers, was supposed to go to Kavi Pradeep. Vijay Bhatt, the director of the movie was insistent of using Kavi Pradeep as lyricist since the film was supposed to have many devotional songs. Naushad requested Vijay Bhatt to hear the lyrics written by Shakeel. Vijay Bhatt agreed and the rest was history.

Association with Ravi

Shakeel also wrote a substantial chunk of his songs for music director Ravi Sharma. Prominent amongst those were Gharana, Ghunghat and Grihasti as well as Phool Aur Patthar, Chaudhvin Ka Chand and Do Badan.

Association with Hemant Kumar

Shakeel wrote for Hemant Kumar for movies like Bees Saal Baad, Sahib Bibi Aur Gulam, Bin Badal Barsaat.

Association with S.D.Burman

Shakeel penned lyrics for the tunes of S D Burman for movies Kaise Kahoon & Benazir.

Others

C.Ramachandra - Zindagi Aur Maut, Wahan Ke Log. Roshan - Bedaag, Noorjahan.

Read more about this topic:  Shakeel Badayuni

Famous quotes containing the word career:

    I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.
    William Cobbett (1762–1835)

    It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.
    Thomas Henry Huxley (1825–95)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)