Production
According to Melvin Van Peebles, the original production was of a white detective story, but following the success of Sweet Sweetback's Baadasssss Song, the original script was scrapped in favor of an adaptation of Ernest Tidyman's 1970 novel Shaft, which focused on a black detective. However, production of Shaft had begun in January 1971, well before the release of Van Peebles's film, with Roundtree's casting in the title role widely reported. As early as January 5, 1971, The New York Times had reported that the film's 10-week shooting schedule was about to begin, that Roundtree would play the title role, and that Tidyman's book formed the basis for the film.
Tidyman, who is white, was an editor at The New York Times prior to becoming a novelist. He sold the movie rights to Shaft by showing the galley proofs to the studio (the novel had not yet been published). Tidyman was honored by the NAACP for his work on the Shaft movies and books.
Read more about this topic: Shaft (1971 film)
Famous quotes containing the word production:
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)