Shadow Raiders - Setting

Setting

The main setting of Shadow Raiders is the Cluster, a series of four interdependent worlds. The four main planets — Fire, Rock, Bone, and Ice — have warred for as long as any of them can remember over their natural resources: Fire produces energy, Rock produces metals and minerals, Bone produces food, and Ice produces water, and all four worlds depend on each other to survive.

A large part of the series mythology in the second season is the World Engines, a propulsion system built into the planets of the Cluster (and presumably many other worlds, since two different planets in different solar systems have them) by an ancient alien race. Using five mountain-sized energy thrusters which emerge from the planet's surface, the World Engines can propel a planet through space at great speeds. A combination of an atmospheric shield and artificial gravity generators keep the sudden shift in orbit and lack of a star from killing everyone on the surface. The Prison Planet has a variation known as Teleport Engines, which teleport the world to different locations in space instantly. The same artificial gravity and atmospheric shielding technology is used to protect the inhabitants. Each set of engines is located at the core of its world and can be reached using Telepods, small platforms on the surface of each world. The Telepods send the user to the core of the planet where they can use the computer to move the planet. The Telepods can also be used to move people from one planet to another.

The World Engines are equipped with sensors capable of detecting — but not acting upon — threats to the planet. The AI is able to recommend a course of action, and does not appear to require clearance of any sort, responding to any voice commands given. The Telepod technology was reverse-engineered by Tekla to create a force field generator so anyone can physically fight a Null Matter being without disintegrating on contact.

Read more about this topic:  Shadow Raiders

Famous quotes containing the word setting:

    Dandyism is the last flicker of heroism in decadent ages.... Dandyism is a setting sun; like the declining star, it is magnificent, without heat and full of melancholy. But alas! the rising tide of democracy, which spreads everywhere and reduces everything to the same level, is daily carrying away these last champions of human pride, and submerging, in the waters of oblivion, the last traces of these remarkable myrmidons.
    Charles Baudelaire (1821–1867)

    The world is ... the natural setting of, and field for, all my thoughts and all my explicit perceptions. Truth does not “inhabit” only “the inner man,” or more accurately, there is no inner man, man is in the world, and only in the world does he know himself.
    Maurice Merleau-Ponty (1907–1961)

    We believe that Carlyle has, after all, more readers, and is better known to-day for this very originality of style, and that posterity will have reason to thank him for emancipating the language, in some measure, from the fetters which a merely conservative, aimless, and pedantic literary class had imposed upon it, and setting an example of greater freedom and naturalness.
    Henry David Thoreau (1817–1862)