Sembiyan Mahadevi - Sacred

Sacred

Sembiyan Mahadevi was a consummate temple builder and a highly respected patron of the arts. During her lifetime, special celebrations marked her birthday in the Shiva(Śiva) temple in the town of Sembiyan Mahadevi, named after her, and a metal portrait of the beloved queen was presented to the temple in her honor, possibly commissioned by her son. As such, it would have been recognized as Sembiyan Mahadevi by its use in processions celebrating her birthday. This highly stylized bronze image is an instance of the blurring of lines between royal and divine portraiture in ancient Indian art. The pose is reminiscent of the goddess Parvati. Indian artists often portray Hindu deities with great attention to arm/hand details to emphasize their omnipresence and omnipotence. A variety of hand gestures, known as mudras, are used to express the mood and meaning of the images of the gods. For instance, when the palm is raised to face the worshiper, it is the gesture of protection (abhaya), while a lowered hand with the fingers pointing downward signifies a promise to grant the devotee's wishes (varada). The contrapposto pose, known in India as tribhanga, or triple-bent, was a popular stance; it produced a sense of swaying movement, and most images, whether human or divine, are thus poised.