Critical Studies of Heaney
- 1993: The Poetry of Seamus Heaney ed. by Elmer Andrews, ISBN 0-231-11926-7
- 1993: Seamus Heaney: The Making of the Poet by Michael Parker, ISBN 0-333-47181-4
- 1995: Critical essays on Seamus Heaney ed. by Robert F. Garratt, ISBN 0-7838-0004-5
- 1998: The Poetry of Seamus Heaney: A Critical Study by Neil Corcoran, ISBN 0-571-17747-6
- 2000: Seamus Heaney by Helen Vendler, ISBN 0-674-00205-9, Harvard University Press
- 2003: Seamus Heaney and the Place of Writing by Eugene O'Brien, University Press of Florida, ISBN 0-8130-2582-6
- 2004: Seamus Heaney Searches for Answers by Eugene O'Brien, Pluto Press: London, ISBN 0-7453-1734-0
- 2007: Seamus Heaney and the Emblems of Hope by Karen Marguerite Moloney, ISBN 978-0-8262-1744-8
- 2007: Seamus Heaney: Creating Irelands of the Mind by Eugene O'Brien, Liffey Press, Dublin, ISBN 1-904148-02-6
- 2009: The Cambridge Companion to Seamus Heaney edited by Bernard O'Donoghue
- 2010: Poetry and Peace: Michael Longley, Seamus Heaney, and Northern Ireland by Richard Rankin Russell ISBN 978-0-268-04031-4
- 2010: Defending Poetry: Art and Ethics in Joseph Brodsky, Seamus Heaney, and Geoffrey Hill by David-Antoine Williams
- 2010: “Working Nation(s): Seamus Heaney’s ‘Digging’ and the Work Ethic in Post-Colonial and Minority Writing”, by Ivan Cañadas
- 2011: "Seamus Heaney and Beowulf," by M.J. Toswell, in: Cahier Calin: Makers of the Middle Ages. Essays in Honor of William Calin, ed. Richard Utz and Elizabeth Emery (Kalamazoo, MI: Studies in Medievalism, 2011), pp. 18–22.
- 2012: In Gratitude for all the Gifts: Seamus Heaney and Eastern Europe, by Magdalena Kay. University of Toronto Press. ISBN 9781442644984
- 2012: Raccontarsi in versi. La poesia autobiografica in Inghilterra e in Spagna (1950-1980)., by Menotti Lerro, Carocci.
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“His misfortune was that he loved youthhe was weak to it, it kindled him. If there was one eager eye, one doubting, critical mind, one lively curiosity in a whole lecture-room full of commonplace boys and girls, he was its servant. That ardour could command him. It hadnt worn out with years, this responsiveness, any more than the magnetic currents wear out; it had nothing to do with Time.”
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“Even if one studies to an old age, one will never finish learning.”
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“Up, black, striped and damasked like the chasuble
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