Saved From The Titanic - Production

Production

Only a few days after she returned to New York, Gibson began work on a film based on the disaster. The impetus may have come from Jules Brulatour, an Éclair Film Company producer with whom she was having an affair. According to Billboard magazine he sent "specially chartered tugboats and an extra relay of cameramen" to film the arrival of Carpathia. The footage was spliced together with other scenes such as Titanic's Captain Edward Smith on the bridge of the RMS Olympic, Titanic's sister ship, images of the launch of Titanic in 1911 and stock footage of icebergs. On April 22, the resulting newsreel was released as part of the studio's Animated Weekly series. It was an enormous success with sold-out showings across America. President William Howard Taft, whose friend and military aide Archibald Butt was among the victims of the disaster, received a personal copy of the film.

The success of the newsreel appears to have convinced Brulatour to capitalize further with a drama based on the sinking. He had a unique advantage – a leading actress who was a survivor and eyewitness to what had happened. Gibson later described her decision to participate as an "opportunity to pay tribute to those who gave their lives on that awful night." Jeffrey Richards suggests that it was more likely that Brulatour persuaded her that the disaster offered an opportunity to advance her career. The filming took place at Éclair's studio in Fort Lee, New Jersey and aboard a derelict transport vessel in New York Harbor. It was completed in only a week and the entire process of filming, processing and distribution took only half the time normally required for a one-reel film – a sign of the producers' eagerness to get the film onto screens while news of the disaster was still fresh. The film was only ten minutes long but this was typical of the time, as feature films had not yet become the norm. Instead, a program typically consisted of six to eight short films, each between ten and fifteen minutes long and covering a range of genres. Although newsreels were the main vehicle for presenting current events, dramas and comedies also picked up on such issues. There was very little footage of Titanic herself, which hindered the ability of newsreels to depict the sinking; however, the disaster was an obvious subject for a drama.

Gibson was plainly still traumatized – a reporter from the Motion Picture News described her as having "the appearance of one whose nerves had been greatly shocked" – and she was said to have burst into tears during filming. To add to the film's air of authenticity, she even wore the same clothes that she was rescued in. Nonetheless, as well as starring as "Miss Dorothy" – herself, in effect – Gibson is said to have co-written the script, which was based around a fictionalized version of her own experiences. Her parents and (fictional) fiancé, Ensign Jack, are shown waiting anxiously for her return after hearing news of the disaster. She arrives safely back home and recounts the events of the disaster in a long flashback, illustrated with newsreel footage of Titanic and a mockup of the collision itself. Titanic sinks but Dorothy is saved. When she concludes her story, her mother urges Dorothy's fiancé to leave the navy as it is too dangerous a career. Jack ultimately rejects the mother's advice, deciding that he must do his duty to flag and country. Dorothy's father is moved by his patriotism and the film ends with him blessing the marriage.

The film's structure aimed to promote its story's authenticity and credibility through the integration of newsreel footage and the presence of a genuine survivor as the "narrator". Audiences had previously seen survivors of disasters only as unspeaking "objects" shown as part of a story told by someone else. Gibson, by contrast, was a survivor given voice as the narrator of what was ostensibly her personal story.

Read more about this topic:  Saved From The Titanic

Famous quotes containing the word production:

    Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.
    Karl Marx (1818–1883)

    I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)

    The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.
    François, Duc De La Rochefoucauld (1613–1680)