Structure
The chapel, like the church in which it is located, is in Gothic style, characterized by an ogival arch.
The fresco cycle covers three walls framed by fictive architectural elements. The altarpiece is also framed by a painted marble decoration. The two side walls house the tombs of Francesco Sassetti and his wife Nora Corsi, under a gilded arch, a creation of Giuliano da Sangallo. At the side of the altar are kneeling portraits of the two patrons, Nora Corsi on the left and Sassetti on the right: they direct their prayers towards the central altarpiece of the Adoration of the Shepherds, also by Ghirlandaio.
Ghirlandaio's frescoes can also be seen in the upper transept wall, outside the chapel. This area was plastered in the 18th century, the paintings being rediscovered only in 1895, which accounts for their poorer state of conservation. The work outside the Sassetti chapel is attributed to the three Ghirlandaio brothers (Domenico, David and Benedetto) and assistants. Its perspective was devised to offer a perfect view from below.
The first scene painted above the chapel is the Tiburtine Sibyl Announces Jesus' Coming to Augustus. The Sibyl is probably a portrait of Sassetti's daughter, Sibilla. On the pilaster dividing the Sassetti Chapel from the subsequent one is a painted grisaille statue of David. In the vault of the chapel are the four Sibyls, surrounded by flaming aureoles and holding out banderoles describing their prophetic role as assigned them by Virgil:
- Hec teste Virgil Magnus, in ultima autem etate;
- Invisibile verbum palapabitur germinabit.
Only the faces of the Sibyls are attributed to Ghirlandaio; the bodies were probably executed by his workshop.
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