Career
Bernhard became a popular staple at the Comedy Store. As her popularity as a comedienne grew she was cast as a supporting player on The Richard Pryor Show in 1977. Guest appearances on evening talk shows followed. Her big break came in 1983 when she was cast by Martin Scorsese to star as stalker and kidnapper Masha in the film The King of Comedy for which she won the National Society of Film Critics Award for Best Supporting Actress.
She began performing her first one-woman show called I'm Your Woman in 1985, and an album version was released. Bernhard appeared in a variety of tiny film and television roles throughout the 1980s while crafting her stand-up routine into a more performance art oriented show. She launched an Off Broadway one woman show called Without You I'm Nothing, With You I'm Not Much Better in 1988 which played at the Orpheum Theatre. In 1990 it was turned into a film and a double album of the same name. The film was mostly shot on location in 1989 in the Cocoanut Grove located in the Ambassador Hotel. A frequent guest on David Letterman's NBC program, it was during the run of 'Without You I'm Nothing, With You I'm Not Much Better' that she appeared with her then good friend (and rumored lover) Madonna on the show. The two alluded to their romantic relationship and staged a sexy confrontation. They would continue to be friends for several years, with Bernhard even making an appearance in Madonna's movie Truth or Dare.
Read more about this topic: Sandra Bernhard
Famous quotes containing the word career:
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“Like the old soldier of the ballad, I now close my military career and just fade away, an old soldier who tried to do his duty as God gave him the light to see that duty. Goodbye.”
—Douglas MacArthur (1880–1964)