Career
Bernhard became a popular staple at the Comedy Store. As her popularity as a comedienne grew she was cast as a supporting player on The Richard Pryor Show in 1977. Guest appearances on evening talk shows followed. Her big break came in 1983 when she was cast by Martin Scorsese to star as stalker and kidnapper Masha in the film The King of Comedy for which she won the National Society of Film Critics Award for Best Supporting Actress.
She began performing her first one-woman show called I'm Your Woman in 1985, and an album version was released. Bernhard appeared in a variety of tiny film and television roles throughout the 1980s while crafting her stand-up routine into a more performance art oriented show. She launched an Off Broadway one woman show called Without You I'm Nothing, With You I'm Not Much Better in 1988 which played at the Orpheum Theatre. In 1990 it was turned into a film and a double album of the same name. The film was mostly shot on location in 1989 in the Cocoanut Grove located in the Ambassador Hotel. A frequent guest on David Letterman's NBC program, it was during the run of 'Without You I'm Nothing, With You I'm Not Much Better' that she appeared with her then good friend (and rumored lover) Madonna on the show. The two alluded to their romantic relationship and staged a sexy confrontation. They would continue to be friends for several years, with Bernhard even making an appearance in Madonna's movie Truth or Dare.
Read more about this topic: Sandra Bernhard
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“I’ve been in the twilight of my career longer than most people have had their career.”
—Martina Navratilova (b. 1956)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)