Popular Culture
Further information: Samurai cinemaJidaigeki (lit. historical drama) has always been a staple program on Japanese movies and TV. The programs typically feature a samurai. Samurai films and westerns share a number of similarities and the two have influenced each other over the years. Kurosawa was inspired by the works of director John Ford and in turn Kurosawa's works have been remade into westerns such as The Seven Samurai into The Magnificent Seven and Yojimbo into A Fistful of Dollars. There is also a 26 episode anime adaptation (Samurai 7) of The Seven Samurai.
Eiji Yoshikawa is one of the most famous Japanese historical novelists. His retellings of popular works, including Taiko, Musashi and Heike Tale are popular among readers for their epic narratives and rich realism in depicting samurai and warrior culture.
The samurai have also appeared frequently in Japanese comics (manga) and animation (anime). Most common are historical works where the protagonist is either a samurai or former samurai (or another rank/position) who possesses considerable martial skill. Samurai-like characters are not just restricted to historical settings and a number of works set in the modern age, and even the future, include characters who live, train and fight like samurai. American comic books have adopted the character type for stories of their own.
A film released in 2003 titled The Last Samurai, starring Tom Cruise, is inspired by the Samurai way of life.
The television series Power Rangers Samurai (Samurai Sentai Shinkenger in Japan) is also inspired by the way of the Samurai.
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Famous quotes containing the words popular and/or culture:
“We live under continual threat of two equally fearful, but seemingly opposed, destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.”
—Susan Sontag (b. 1933)
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)