Career Decline and Attempted Revival
By the early 1960s, he was becoming too old to play the type of role that had made him famous and was not considered appropriate for leading roles. He auditioned for David Lean's film Lawrence of Arabia but was not hired. Mineo was baffled by his sudden loss of popularity, later saying "One minute it seemed I had more movie offers than I could handle, the next, no one wanted me." He did appear on The Patty Duke Show in its second season (1964). The episode was called "Patty Meets a Celebrity". There are stories he attempted to revive his career by camping out on the front lawn of Francis Ford Coppola's home for a chance to win the role of Fredo in The Godfather, but the role went to John Cazale.
His role as a stalker in Who Killed Teddy Bear?, co-starring Juliet Prowse, did not seem to help. Although his performance was praised by critics, he found himself typecast anew, now as a deranged criminal. (He never entirely escaped this; one of his last roles was a guest spot on the 1975 TV series S.W.A.T. playing a Charles Manson-like cult leader.) He returned to the stage to produce the 1971 gay-themed Fortune and Men's Eyes (starring Don Johnson). This play gathered positive reviews in Los Angeles but was panned during its New York run, and its expanded prison rape scene was criticized as excessive and gratuitous. A small role in Escape from the Planet of the Apes (1971) as the chimpanzee Dr. Milo was Mineo's last appearance in a motion picture. In 1973, Mineo appeared as Rachman Habib, assistant to the president of a Middle Eastern country, in the episode "A Case of Immunity" on the NBC crime drama Columbo. He also appeared in two episodes of Hawaii Five-O, in 1968 and 1975.
Read more about this topic: Sal Mineo
Famous quotes containing the words career, decline, attempted and/or revival:
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“Reckoned physiologically, everything ugly weakens and afflicts man. It recalls decay, danger, impotence; he actually suffers a loss of energy in its presence. The effect of the ugly can be measured with a dynamometer. Whenever man feels in any way depressed, he senses the proximity of something “ugly.” His feeling of power, his will to power, his courage, his pride—they decline with the ugly, they increase with the beautiful.”
—Friedrich Nietzsche (1844–1900)
“Your favor containing the question, as to whether I consider myself a “new woman” is before me. As a rule I do not consider myself at all. I am, and always have been a progressive woman, and while never directly attacking the conventionalities of society, have always done, or attempted to do those things which I have considered conducive to my health, convenience or emolument ...”
—Belva Lockwood (1830–1917)
“I do not think a revival of business will be greatly postponed by [Samuel J.] Tilden’s election. Business prosperity does not, in my judgment, depend on government so much as men commonly think.”
—Rutherford Birchard Hayes (1822–1893)