Works
Unless noted, his works were published by C. L. Barnhouse Co., to whom Alexander's widow sold the rights to his music shortly after his death.
- Across the Atlantic March (1899)
- Americans Before Havana Overture (unpublished)
- Baltimore's Boast March (1899)
- Bastinado Galop (1908)
- Belford's Carnival (1897)
- Burr's Triumphal (1897)
- The Butterfly Dance (unpublished)
- The Cantonians March (1908)
- Charioteers of Semiramis Galop (unpublished)
- Colossus of Columbia (1901)
- The Comedy Club March (1907) White Publishing
- Congressional Limited Galop (unpublished)
- The Conquest March (1913) Fillmore Bros. Music House
- Conway's Cantata March (unpublished)
- The Crimson Flush March (1897)
- The Darlington March (1896)
- Decatur at Tripoli Overture (unpublished)
- Embossing the Emblem March (1902)
- The Exposition Four March (1903)
- The Four Gladiators (1899) (unpublished)
- From Tropic To Tropic March (1898)
- Hampton Roads March (1919) Fillmore Bros. Music House
- International Vaudeville (1897)
- Memphis the Majestic (1900)
- Olympia Hippodrome March (1898)
- Pall Mall Famous March (1909) Star Music Co
- Paramour of Panama March (1904) McMillin
- Patriots of the Patomac March (1903)
- La Reine March (1907)
- Rival Rovers March (1899)
- Round Up The (1916)
- Salute to Seattle March (1905)
- Shoot the Chutes Galop (1901)
- Song of the South (1905)
- The Southerner March (1908)
- The Southerners Galop (unpublished)
- Steeplechase Galop (1900)
- Storming of El Caney Galop (1903)
- Storming El Caney March (unpublished)
- Vicksburg the Valiant March (unpublished)
- Vienna to Vicksburg (unpublished)
- Yankees in Vienna March (unpublished)
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—Ron Taffel (20th century)
“His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
—Henry David Thoreau (18171862)
“The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
—Herman Melville (18191891)