Russell Alexander - Works

Works

Unless noted, his works were published by C. L. Barnhouse Co., to whom Alexander's widow sold the rights to his music shortly after his death.

  • Across the Atlantic March (1899)
  • Americans Before Havana Overture (unpublished)
  • Baltimore's Boast March (1899)
  • Bastinado Galop (1908)
  • Belford's Carnival (1897)
  • Burr's Triumphal (1897)
  • The Butterfly Dance (unpublished)
  • The Cantonians March (1908)
  • Charioteers of Semiramis Galop (unpublished)
  • Colossus of Columbia (1901)
  • The Comedy Club March (1907) White Publishing
  • Congressional Limited Galop (unpublished)
  • The Conquest March (1913) Fillmore Bros. Music House
  • Conway's Cantata March (unpublished)
  • The Crimson Flush March (1897)
  • The Darlington March (1896)
  • Decatur at Tripoli Overture (unpublished)
  • Embossing the Emblem March (1902)
  • The Exposition Four March (1903)
  • The Four Gladiators (1899) (unpublished)
  • From Tropic To Tropic March (1898)
  • Hampton Roads March (1919) Fillmore Bros. Music House
  • International Vaudeville (1897)
  • Memphis the Majestic (1900)
  • Olympia Hippodrome March (1898)
  • Pall Mall Famous March (1909) Star Music Co
  • Paramour of Panama March (1904) McMillin
  • Patriots of the Patomac March (1903)
  • La Reine March (1907)
  • Rival Rovers March (1899)
  • Round Up The (1916)
  • Salute to Seattle March (1905)
  • Shoot the Chutes Galop (1901)
  • Song of the South (1905)
  • The Southerner March (1908)
  • The Southerners Galop (unpublished)
  • Steeplechase Galop (1900)
  • Storming of El Caney Galop (1903)
  • Storming El Caney March (unpublished)
  • Vicksburg the Valiant March (unpublished)
  • Vienna to Vicksburg (unpublished)
  • Yankees in Vienna March (unpublished)

Read more about this topic:  Russell Alexander

Famous quotes containing the word works:

    “My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
    —Hannah More (1745–1833)

    “Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
    —Jane Jacobs (b. 1916)

    “Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.”
    —Paul Valéry (1871–1945)