Response
According to Cecil A. Smith, "It was a novel show, even for a period of musical theatre that sought novelty. Angry, disturbing, and ultimately too prosaic for sustained musical flight, it was complete proof that Elizabeth Swados had new plans for the musical and that she had the talent to realize them.
Harold Clurman wrote: "Though the show offers a number of attractive features, only a few of them are actually congruent with its theme...There are...a few charming numbers: one of them is called 'Enterprise' derisive of our national fetish...The Swados music is utilitarian rather than lyrically or dramatically expressive-it is employed, as in the Japanese or Chinese theatres, as sound to call attention to signal moments...Even if I had liked more of the numbers than I did, I would still have thought 'too much show!' ".
The New York Times reviewer wrote of the Public Theater production that the show was an "inspired musical collage... takes a harsh and uncompromising look at the world of runaways, but it is written and performed with great compassion." The music is "disco, salsa, country and western and blues...Not just the songs, but the soliloquies and poems - some of them contributed by members of the cast - are also deeply personal...In all aspects 'Runaways' is a triumph."
Read more about this topic: Runaways (musical)
Famous quotes containing the word response:
“From time to time I listen to what you are saying, just in case a response is needed.”
—Mason Cooley (b. 1927)
“There is ... but one response possible from us: Force, Force to the uttermost, Force without stint or limit, the righteous and triumphant Force which shall make Right the law of the world and cast every selfish dominion down in the dust.”
—Woodrow Wilson (1856–1924)
“There are situations in life to which the only satisfactory response is a physically violent one. If you don’t make that response, you continually relive the unresolved situation over and over in your life.”
—Russell Hoban (b. 1925)