Personality
Nureyev did not have much patience with rules, limitations and hierarchical order and had at times a volatile temper. His impatience mainly showed itself when the failings of others interfered with his work. Most ballerinas with whom he danced, including Antoinette Sibley, Gelsey Kirkland and Annette Page paid tribute to him as a considerate partner.
He socialized with Gore Vidal, Freddie Mercury, Jackie Kennedy Onassis, Mick Jagger, Liza Minnelli, Andy Warhol and Talitha Pol, but developed an intolerance for celebrities. He kept up old friendships in and out of the ballet world for decades, and was considered to be a loyal and generous friend. He was known as extremely generous to many ballerinas, who credit him with helping them during difficult times. In particular, the Canadian ballerina Lynn Seymour – distressed when she was denied the opportunity to premiere Macmillan's Romeo and Juliet – says that Nureyev often found projects for her even when she was suffering from weight issues and depression and thus had trouble finding roles.
By the end of the 1970s, when he was in his 40s, he continued to tackle big classical roles. However by the late 1980s his diminished capabilities disappointed his admirers who had fond memories of his outstanding prowess and skill. His artistic directorship of the Paris Opera Ballet was a great success lifting the company out of a dark period. His Sleeping Beauty remains in the repertoire and was revived and filmed with his protégé Manuel Legris in the lead. When he was sick towards the end of his life, he worked on a final production of La Bayadère which closely follows the Kirov Ballet version he danced as a young man.
Read more about this topic: Rudolf Nureyev
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